It arrives in this country about the middle of April, as a rule; but,
like many other migrants, is liable to some variation of date, being
more influenced by the conditions of the weather than the readings
of the calendar. It takes its departure again in September, although
specimens have been observed during every month of the winter in the
South and West of England.
The Blackcap is about five and a half inches in length, has a jet-black
crown and light olive-brown upper parts, becoming greyer on the rump;
throat and breast ash-grey, and under parts white. The female is
somewhat similar in appearance, except for the fact that the top of her
head is chocolate-brown instead of black.
[Illustration: BLACKCAP WARBLER’S NEST AND EGGS.]
This species loves small woods and spinnies with abundant undergrowth,
shrubberies, old orchards, gardens, and bits of waste land with plenty
of brambles and nettles growing thereon. If there is a sluggish stream
close by, so much the better; although I have several times found
it breeding far away from water of any kind.
The nest is a flimsy structure placed at varying heights from two
to ten or twelve feet above the ground in brambles, nettles, briar,
and thorn bushes, privet and other hedges. It is composed of straws,
fibrous roots, and dead grass, frequently intermixed with cobwebs, and
lined with hair.
The eggs number five or six, and may be divided into two types of
coloration. In one they are of a greyish-white ground colour suffused
with buffish-brown and spotted, blotched, and marbled with dark brown,
similar to those of the Garden Warbler. In the other they are of a pale
brick-red or crimson hue marked with deep reddish-brown.
This bird is one of our finest feathered melodists. Gilbert White was
greatly in love with its vocal powers, and in his third letter to
Daines Barrington says that the “wild sweetness of its song reminded
him of Shakespeare’s lines in _As You Like It_:”
“And tune his merry note
Unto the _wild_ bird’s throat.”
[Illustration: FEMALE BLACKCAP WARBLER FEEDING YOUNG.]
In Letter XL. to Pennant, he says, “The Blackcap has a full, sweet,
deep, loud and wild pipe; yet that strain is of short continuance,
and his motions are desultory; but when that bird sits calmly and
engages in song in earnest, he pours forth very sweet, but inward
melody, and expresses great variety of soft and gentle modulations,
superior perhaps to those of any of our warblers, the Nightingale
excepted.”
Everyone who has heard and seen the Blackcap will at once recognise the
truth and accuracy of this; but, strangely enough, Gilbert White never
once mentions the Garden Warbler in his writings.
Public-domain text, read in full here on John Shaqi.
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