Afer remained some minutes pacing up and down the atrium of his house in deep thought. Then rousing himself he beheld his slaves awaiting his departure, with towels, unguents, and other necessaries. Without further delay, therefore, he left the house and proceeded to some private baths in the neighbourhood, where he enjoyed the company of some acquaintances, as well as the physical refreshment of what moderns call a Turkish bath. When he had leisurely gone through this delightful process; when he had finally been scraped with the strigil, rubbed dry and anointed from head to foot with a perfumed unguent, his youthful Greek attendant robed him with most elaborate care to suit his exacting taste, and he left the baths to step into a kind of sedan chair, which awaited him at the doors. He was borne thus, the short distance which intervened, to the house of one Apicius, on the Palatine, the most fashionable quarter in Rome, and finally to become almost the exclusive property of the emperors. He alighted in a courtyard, whereon opened the magnificent entrance of a very large and imposing mansion. He went in. The lofty interior gleamed with rich marbles and gilding, and the air was laden with the scent of the perfumed fountain which twinkled and sparkled in the shaft of light, descending from the blue sunny sky through the square opening in the centre of the roof. Beyond was the vista of the entire length of the house, through its columns and peristyle to a portico and ornamental garden beyond. The sumptuous magnificence which met the eye at every turn, the priceless statuary, the frescoes on every wall, the rare, polished, carved wood and stone, the ivory, gilding, and tapestries, betokened the lavish extravagance of vast wealth. Crossing the spotless floor of marble, Afer was ushered into a reception room of the same rich character, where lounged or stood some half dozen guests engaged in conversation. Our knight’s attire, though of irreproachable taste and fashion, was modest compared with the superlative richness displayed by some of those he now rubbed against. Charinus was a dandy of the first water, whose glorious garments, oppressive perfumes, smooth, well‐tended, effeminately handsome face and languid hauteur, at once betrayed his disposition and ambition. Flaccus was a dandy, whose still youthful and ambitious mind animated a physical organisation long since bereft of vigour and beauty. Art did its best to disguise the ruthless blight of time, and age put a good face on its impotence, whilst it was being racked with follies and excesses which belonged to its grandchildren. So the withered old trunk stuck itself over with green boughs, seeking to hide its sapless rottenness, but succeeding only in rousing the laughter of men.