"I'll go," interposed Mark, "if it be only to see the fun. I'll be on
my good behaviour. I'll call for tea and toast-and-water at regular
intervals all through the evening, and then the old gentleman will be
sure to put me down for something handsome in his will."
"You'd better take some music with you," said his mother, turning to her
eldest daughter; "Mr Tankardew has got his new piano on purpose, I
suppose."
"Ay, do," cried Mark; "take something lively, and you'll fetch out the
old spiders and daddy-long-legs which have been sent into the corners
like naughty boys, and they'll come out by millions and dance for us."
So it was settled that the invitation should be accepted. The surprise
at "The Shrubbery" was of a more agreeable kind. Mrs Franklin and her
daughter had learnt to love the old man, in spite of his eccentricities;
they saw the sterling strength and consistency of his character. They
had, however, hardly expected such an invitation; but the reports of the
strange changes in progress in Mr Tankardew's dwelling had reached
their ears, so that it was evident that he was intending, for some
unknown reasons, to break through the reserve and retirement of years,
and let a little more light and sociability into the inner recesses of
his establishment. That he had a special object in doing this they felt
assured; what that object was they could not divine. Had Mrs Franklin
known that the Rothwells had been asked, she would have declined the
invitation; but she was unaware of this till she had agreed to go; it
was then too late to draw back.
All the guests were very punctual on the appointed evening, curiosity
having acted as a stimulant with the Rothwells of a more wholesome kind
than they were in the habit of imbibing. What a change! It was now the
end of October, and the evenings were chilly, so that all were glad of
the cheery fire, partly of wood and partly of coal, which threw its
brightness all abroad in flashes of restless light. Old pictures,
apparently family portraits, adorned the walls, relieved by prints of a
more modern and lively appearance. One space was bare, where a portrait
might have been expected as a match to another on the other side of the
fireplace. The omission struck every one at once on entering. The
furniture, generally, was old-fashioned, and somewhat subdued in its
tints, as though it had long languished under the cold shade of neglect,
and had passed its best days in obscurity.
Public-domain text, read in full here on John Shaqi.
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