The game of dice, called "sa'-ro," is universal. Instead of the familiar dots the marks on the small wooden cubes are incised lines made with a knife. These lines follow no set pattern. One pair of dice which I observed were marked as shown in fig. 2. The player has five chances, and if he can pair the dice one time out of five he wins, otherwise he loses. Only small objects, such as camotes, rough-made cigars, or tobacco leaves, are so wagered. A peculiar feature of the game is the manner in which the dice are thrown. The movement of the arm is an inward sweep, which is continued after the dice leave the hand, until the hand strikes the breast a resounding whack; at the same time the player utters a sharp cry much after the manner of the familiar negro "crap shooter." The Negritos do not know where they got the game, but say that it has been handed down by their ancestors. It might be thought that the presence of a negro regiment in the province has had something to do with it, but I was assured by a number of Filipinos who have long been familiar with the customs of the Negritos that they have had this game from the first acquaintance of the Filipinos with them. Music In their love for music and their skill in dancing Negritos betray other striking Negroid characteristics. Their music is still of the most primitive type, and their instruments are crude. But if their notes are few no fault can be found with the rhythm, the chief requisite for an accompaniment to a dance. Their instruments are various. The simple jew's-harp cut from a piece of bamboo and the four-holed flutes (called "ban'-sic") made of mountain cane (figs. 6, 7, Pl. XLVI) are very common but do not rise to the dignity of dance instruments. Rarely a bronze gong (fig. 1, Pl. XLVI), probably of Chinese make, has made its way into Negrito hands and is highly prized, but these are not numerous--in fact, none was seen in the northern region, but in southern Zambales and Bataan they are occasionally used in dances. The most common instrument is the bamboo violin. (Fig. 2, Pl. XLVI.) It is easy to make, for the materials are ready at hand. A section of bamboo with a joint at each end and a couple of holes cut in one side furnishes the body. A rude neck with pegs is fastened to one end and three abaca strings of different sizes are attached. Then with a small bow of abaca fiber the instrument is ready for use. No attempt was made to write down the music which was evolved from this instrument. It consisted merely in the constant repetition of four notes, the only variation being an occasional change of key, but it was performed in excellent time.