The duel dance is by far the most realistic and interesting of any of the Negrito dances. Is the name suggests, the dance, is performed by two men, warriors, armed with bows and arrows and bolos. An oblong space about 8 feet in width and 15 feet long serves as an arena for the imaginary conflict. After the musician has got well into his tune the performers jump into either end of the space with a whoop and a flourish of weapons, and go through the characteristic Negrito heel-and-toe movement, all the time casting looks of malignant hate at each, other but each keeping well to his end of the ring. Then they advance slowly toward each other, swinging the drawn bow and arrow into play as if to shoot, then, apparently changing their minds or the opportunity not being good for a death shot, they withdraw again to the far ends of the ring. Advancing once more each one throws the drawn bow and arrow upward, then toward the ground, calling heaven and earth to witness his vow to kill the other. Presently one gets a favorable opportunity, his bowstring twangs, and his opponent falls to the ground. The victor utters a cry of triumph, dances up to the body of his fallen foe, and cuts off the head with his bolo. He beckons and cries out to the relatives of the dead man to come and avenge the deed. Nobody appearing, he bears aloft the head of the enemy, shouting exultingly and triumphantly as if to taunt them to respond. Still no one comes. Then after waiting and listening for a time he replaces the head with the trunk and covers the body over with leaves and dirt. This ends the dance. Ordinarily it requires fifteen minutes for the full performance. During this time the one who by previous arrangement was to be the victor never for a single instant pauses or loses step. CHAPTER VI GENERAL SOCIAL LIFE The Child