_We listened, not all of us believing. We were used to being praised for our cedar fenceposts, our mossy roofs, our bothersome, low-hanging elm boughs, even, of late, for our irregular streets and our creamy brick. But in our hearts we had been feeling apologetic that we had not more two-storey shops, not more folk who go away in Summer, and not even one limousine. And now we were hearing that we are playing a part social, artistic, which no city can play!_ _It is true that from the days of those old happenings which I have been recounting, down to now, the form of our self-expression has changed somewhat, its quality, never. Always we have been ourselves, simply and unreservedly. Not boldly ourselves, for we do not know that there is anything to be bold about. But in the small things, quite simply ourselves. And once I would have called that a negative quality...._ _But what of this salvation, social and artistic, and how are these to be fostered by our one characteristic? And with that, the cries of the world, from art, from life, are in one’s ears: Against imitation, against artificiality, against seeing the thing as a thousand others have seen it and saying it as a thousand others have said it, against moving in a mass which has won the right to no social adhesion, but instead stupidly coheres, and does its thinking by bad proxies. And we--who do already let ourselves be ourselves--who knows what contribution we may be bringing, now that there have come upon us these new reactions to convention, these slow new freedoms of belief?_ _There in the cities, humanity is in the melting pot, we say; and the figure is that of countless specializations dissolved in one general mass. We revert to type individually, but we advance to type collectively. Unquestionably this collective advance is a part of experience. But it is not an ultimate of experience. Somewhere there beyond, shining, is a new individualism, whose incarnations shall flow to no melting pot, but instead shall cling together, valued for their differentiation, and like a certain precious form of life, low in the scale, shall put out a thousand filaments, and presently move away together, a unit._ _Already the individual experiences this progression--that is, he does if he does!--and, through his own unique value, wins back in later life to that simplicity which is every one’s birthright. It is Nietzsche’s threefold metamorphosis of the spirit: First the camel, then the lion, last the child. What if, standing in that simplicity, at the point where humanity is most in type, the village does open the social and artistic outlook of To-morrow?_ _Some of us believe. Some of us say: “What if the federation of the world is to begin in the little towns? What if it is beginning there now....”_ _“A village is nothing but a little something broke off from a city,” says Calliope Marsh, “only it never started in hitched to the city in the first place. And that makes all the difference.”_