Neighbors: Life Stories of the Other HalfRiis, Jacob A. (Jacob August)
History
Neighbors: Life Stories of the Other Half
Riis, Jacob A. (Jacob August)
Poor -- New York (State) -- New York
He arose early and washed himself with care. He bound the praying-band
upon his forehead, and upon his wrist the tefillin with the Holy Name;
then he covered his head with the tallith and prayed to the God of his
fathers who brought them out of bondage, and blessed his house and his
children, little Judah and Miriam his sister, and the twins in the cradle.
As he kissed his wife good-by, he said that he had found work and wages,
and would bring back money. She saw him go down in his working clothes;
she did not know that he had hidden the tallith under his apron.
He did not leave the house, but, when the door was closed, went up to the
roof. Standing upon the edge of it, he tied his feet together with the
prayer shawl, looked once upon the rising sun, and threw himself into the
street, seventy feet below.
"It is Judah Kapelowitz, the painter," said the awed neighbors, who ran up
and looked in his dead face. The police came and took him to the
station-house, for Judah, who living had kept the law of God and man, had
broken both in his dying. They laid the body on the floor in front of the
prison cells and covered it with the tallith as with a shroud. Sarah, his
wife, sat by, white and tearless, with the twins at her breast. Little
Miriam hid her head in her lap, frightened at the silence about them. At
the tenement around the corner men were carrying her poor belongings out
and stacking them in the street. They were homeless and fatherless.
Ludlow Street had given its answer.
KIN
Early twilight was setting in on the Holy Eve. In the streets of the city
stirred the bustling preparation for the holiday. The great stores were
lighting up, and crowds of shoppers thronged the sidewalks and stood
stamping their feet in the snow at the crossings where endless streams of
carriages passed. At a corner where two such currents met sat an old man,
propped against a pillar of the elevated road, and played on a squeaky
fiddle. His thin hair was white as the snow that fell in great soft flakes
on his worn coat, buttoned tight to keep him warm; his face was pinched by
want and his back was bent. The tune he played was cracked and old like
himself, and it stirred no response in the passing crowd. The tin cup in
his lap held only a few coppers.
There was a jam of vehicles on the avenue and the crush increased. Among
the new-comers was a tall young woman in a fur coat, who stood quietly
musing while she waited, till a quavering note from the old man's violin
found its way into her reveries. She turned inquiringly toward him and
took in the forlorn figure, the empty cup, and the indifferent throng with
a glance. A light kindled in her eyes and a half-amused smile played upon
her lips; she stepped close to the fiddler, touched his shoulder lightly,
and, with a gesture of gentle assurance, took the violin from his hands.
She drew the bow across the strings once or twice, tightened them, and
pondered a moment.
Public-domain text, read in full here on John Shaqi.
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