A joyous colour it is—the wavering amber light that fills the old room now from the piled-up beechen logs; joyous, yet having a sedate, ruminative tinge about it, like old travellers’ tales of ancient times. Nor does the colour appeal only to the eye: there seems to be a fragrance in it. That this is no mere conceit but simple fact, I was strangely reminded when I blew the candles out, and from the smouldering wicks two long white ribbons of vapour were borne away on the draught. The fragrance of the smoking wax brought up a picture of the summer nights when the bees lay close to fashion it. Round about the cluster in the pent-up hive were thousands of little vats of brewing honey, each giving off a steam that was the life-spirit of clover-fields and blue borage, and sainfoin which spreads the hills with rose-red light. All these mingled scents had got into the nature of the wax, and now they were given off again in sweet-smelling vapour, such a fragrance as you may rarely chance upon in certain foreign churches, where the old ordinances yet prevail, and the candles are still made from the pure product of the hives. And it is the same with burning logs. Each kind of wood has its own essential odour, which pervades the room as though it were soul and body with the light. You cannot separate the two; no riding down of fancy will dissociate the flickering gipsy-gold of the embers and the perfume of the simmering bark. If these do not fill your mind with memories of the green twilight of woodlands, of hours spent in leafy shadows of forest-glades, then—then you are not made for a country fireside, and were happier hobnobbing with Modernity by his sooty, coal-fed hearth. II It is not difficult to understand why indoor work is at most times tolerable in cities, fair weather or foul. For in cities earth and sky have long been driven out of their ancient comradeship. Stifled by pavements and masonry, the earth cannot feel the touch of the sunbeams, nor the air enrich itself with the breath of the soil. The old glad interchange is prevented at all points. There is no lure in the sunshine, no siren voice in the gale. Summer rain does not call you out into the open, to share the joy of it with the drinking grass and leaves. Amidst your dead, impenetrable bricks-and-mortar, you can plod on with your scribbling or figuring without a heart-stir; no vine-leaf will tap at your window, no lily-of-the-field taunt your industry, nor song of skylark dissipate your dreams.