Neither Jew nor Greek : $b a story of Jewish social lifeGuttenberg, Violet
General
Neither Jew nor Greek : $b a story of Jewish social life
Guttenberg, Violet
Jews -- England -- Fiction
Solo whist is undoubtedly a fascinating game to those who take part in
it, but to an outsider it has not much charm. Celia’s interest soon
flagged, and she found herself watching the players rather than the game
itself. Most of them were buxom matrons of comely appearance and
cheerful manner. Their fingers were covered with rings, which flashed
and sparkled as they dexterously manipulated the cards. Celia thought
they made too much of a business of the game, for large sums of money
changed hands during the course of the evening; and she could not help
noticing the evident satisfaction of the winners, and the disagreeable
expressions of the losers, although to some of them it seemed a matter
of indifference whether they won or lost. A breathless silence reigned
whilst each round was being played, only to be followed by a noisy
passage-at-arms between two or more of the players as soon as it was
over.
Mrs. Friedberg was constantly in trouble, for she was so busily engaged
in gleaning the latest bits of gossip from her friends, that she was not
able to give her undivided attention to the game. On one occasion she
revoked, just when her dearest friend Mrs. Solomon had gone a _misere_.
The lady resented it, and told her she ought to be more careful,
whereupon Mrs. Friedberg’s ire was aroused, and she began to be
personal. An unpleasant quarrel seemed imminent, until David Salmon
threatened to leave the table if they did not amicably settle the
dispute.
Celia looked on in silent disapproval. The constant chink of the money
seemed to get on her nerves, and she found that the play made her
_fiancé_ irritable. She was not sorry when Adeline asked her to sing,
and the cards were thrown down for a time. A general move was made to
the drawing-room, where a number of young people, led by Dinah
Friedberg, were amusing themselves in a somewhat noisy manner.
David took Celia’s arm with an air of proud possession. Her fair and
delicate loveliness formed a striking contrast to the pronounced
features and olive complexions which constituted the predominant type of
beauty present.
Mike Rosen vociferously sounded the gong--not for supper, but in order
to command silence. Then he asked Celia what she was going to sing.
“I will tell you what I should like to hear, and that’s ‘Jerusalem,’” he
said. “I heard a man play it on the cornet the other day; it was grand.
I went at once and bought the music for Adeline.”
“He means the ‘Holy City,’” explained his wife. “Mike likes anything
with a good swing about it.”
She found the music, which happened to be in the right key, and Lottie
played the accompaniment. Celia considered the song unsuited to a Jewish
audience, but she sang it with appropriate feeling, nevertheless, and no
one appeared to realize that the words were quite contrary to Jewish
belief. They made her sing the last verse over again, some of them
lustily joining in the chorus.
Public-domain text, read in full here on John Shaqi.
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