(4) "Do I feel hurried and pushed in my work? Do I realize that no
matter how much of a hurry there may be, I can hurry more
effectively if I drop the strain of the hurry?"
(5) "How much superfluous strain do I use in my work? Do I work with
a feeling of strain? How can I observe better in order to become
conscious of the strain and drop it?"
These are enough questions for one time! If you concentrate on these
questions and on finding the answers, and do it diligently, you will
be surprised to see how the true answers will come to you, and how
much clearer they will become as you put them into daily practice.
CHAPTER XII
_Imaginary Vacations_
ONCE a young woman who had very hard work to do day after day and
who had come to where she was chronically strained and tired, turned
to her mother just as she was starting for work in the morning, and
in a voice tense with fatigue and trouble, said:--
"Mother, I cannot stand it. I cannot stand it. Unless I can get a
vacation long enough at least to catch my breath, I shall break down
altogether."
"Why don't you take a vacation today?" asked her mother. The
daughter got a little irritated and snapped out:---
"Why do you say such a foolish thing as that, Mother? You know as
well as I that I could not leave my work to-day."
"Don't be cross, dear. Stop a minute and let me tell you what I
mean. I have been thinking about it and I know you will appreciate
what I have to say, and I know you can do it. Now listen." Whereupon
the mother went on to explain quite graphically a process of
pretense--good, wholesome pretense.
To any one who has no imagination this would not or could not
appeal.
To the young woman of whom I write it not only appealed heartily,
but she tried it and made it work. It was simply that she should
play that she had commenced her vacation and was going to school to
amuse herself.
As, for instance, she would say to herself, and believe it: "Isn't
it good that I can have a vacation and a rest. What shall I do to
get all I can out of it?
"I think I will go and see what they are doing in the grammar
school. Maybe when I get there it will amuse me to teach some of the
children. It is always interesting to see how children are going to
take what you say to them and to see the different ways in which
they recite their lessons."
By the time she got to school she was very much cheered. Looking up
she said to herself: "This must be the building."
She had been in it every school day for five years past, but through
the process of her little game it looked quite new and strange now.
Public-domain text, read in full here on John Shaqi.
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