Conspiracies -- Fiction; Courtship -- Fiction; Dime novels; Popular literature; Stepmothers -- Fiction; Young women -- Fiction
The Hawkhurst carriage with its liveried servants was in waiting at the
Canterbury station when they alighted. Lord Towyn assisted the ladies
into the vehicle, bade them adieu, and as they drove away followed them
with a lingering gaze.
“How beautiful Neva is!” he murmured to himself. “And so pure and
sweet and tender, yet spirited! I wonder if she remembers our childish
betrothal? I don’t like that Artress, and I do not quite like Lady
Wynde. I hardly think Neva will be happy with her, their natures
being so dissimilar. I must go out to Hawkhurst to-morrow, and judge
whether they are likely to get on together. If Neva does not like her
step-mother, she has but one avenue of escape from her dominion before
she becomes of age, and that avenue is marriage. If she would only
marry me. I love her already. Love her! I could adore her.”
A passionate flush arose to his fair cheek, and a tender glowing light
to his warm blue eyes, and he descended the steps and strode out of
the station, his heart thrilling with the strange and new sensation
which he now knew was love. And as he walked along the street, he vowed
within himself that he would woo and, if he could, would win young Neva
Wynde to be his wife.
Ah, he little knew the gulfs that would arise between him and her--the
dangers, the perils, the sorrows, they two must taste. And even as he
strode along, acknowledging to his own soul that he was Neva’s lover,
Neva was speeding across the pleasant country toward the home where
her enemy awaited her with schemes perfected, and an evil heart hidden
under a smiling face.
CHAPTER VIII. THE SON OF THE HONORABLE CRAVEN BLACK.
Upon the morning of the day on which Neva Wynde and Lord Towyn so
strangely encountered each other upon the dingy packet-boat--an
encounter that was destined to be fateful--a scene transpired in one of
the London suburbs to which we would call the attention of the reader.
In an upper room, in one of the dingiest houses of one of the dingiest
crescents at New Brompton, a young man, a mere youth, was engaged in
painting a picture. The room was bare and comfortless, with threadbare
carpet, decrepit and worn-out furniture, and springless sofa-bed--one
of the poorest rooms, in fact, a lodging-house of the fourth rate can
furnish. There were two windows without curtains, and provided only
with torn and faded blue paper shades, rolled up and confined with
cotton cord. A few ashes were in the grate, showing that although the
season was summer, a fire had lately burned there.
The picture which the youth was painting stood upon an easel before
one of the windows, and was but little better than a daub. It had been
sketched by a bold and vigorous hand, but was faulty in conception and
ill-colored. The light upon it was bad, and the hand that wielded the
brush was trembling and impatient, weakened by fasting and emotions.
Public-domain text, read in full here on John Shaqi.
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