Australia -- Gold discoveries -- Fiction; Ballarat (Vic.) -- Fiction
So steadily had he laboured, so assiduously had he devoted himself to
the arrangement of every detail which by any chance could be needed,
that on the Thursday evening he was in the somewhat nervous position of
a man who had nothing to do but to await the signal for departure. At
the same time, he had neglected no precautions which could tend to throw
his comrades of Omeo and the public generally off their guard. He had
not signified his intention of starting with the escort. He had made the
same arrangements which would have been necessary for the consignment of
his gold if he himself was absent.
He had said casually to his friend Barker, the storekeeper, that 'he
might go, or he might not; he was not sure; just as the fit might take
him. Anyhow, he would only be away a fortnight. It depended upon any
fresh "show" turning up. There was a talk of something towards the Snowy
River.'
He had purposely, from the day of his arrival at Omeo, adopted a rough,
laconic manner, in keeping with his assumed character of 'Ballarat
Harry'; had been, indeed, at some pains to efface tokens of gentle
blood, of culture, of refinement, of that chiefly indefinable personal
accompaniment which is usually described as 'the manners of a
gentleman.'
This curious possession, sometimes laboriously acquired, and yet only
perfect when merely derived from the accident of birth and inheritance,
is, by some shrewd observers of human nature, believed to be wholly
inseparable from the individual who has once possessed it. Others
believe--granting a careless habit of association, a looseness of fibre,
recklessness of mood, sordid surroundings, not to mention a fixed
intention of cutting loose from all the influences of early
training--that wondrous, almost incredible declension may take place.
One likes to fancy that the refinement produced by years of early
training, joined with hereditary tendency, can never be obliterated. But
'Want can quench the eyes' bright grace,
Hard toil can roughen form and face.'
Although in the case of Lance Trevanion it would have been an
exaggeration to have said with the poet--
'Poor wretch! The mother that him bare,
In his wan cheek and sunburnt hair
She had not known her child.'
Public-domain text, read in full here on John Shaqi.
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