Australia -- Gold discoveries -- Fiction; Ballarat (Vic.) -- Fiction
But (and I who write have many a time witnessed the transformation) it
is by no means so easy to recognise the 'lapsed gentleman' after he has,
for whim, indolence, or necessity, played the bush labourer for a year
or two. The roughened hands, the altered expression of face, the gradual
disappearance of _les nuances_, the minor society tricks of expression
and manner, the rough habiliments, the changed step--all these and
more--the inevitable concomitants of the comparatively rude life of the
miner, the 'sundowner,' the shepherd or boundary-rider--denote the
disrated aristocrat. Any one of the subdivisions of Australian manual
labour _does_ inevitably, indisputably, change and disguise the
individual, of whatever previous history. There are exceptions,
doubtless; but such are rare.
In addition to the safeguards which a miner's garb, daily labour, and
rude association provided against recognition, Lance had practised of
set purpose the slang phrases and ungrammatical idioms common among men
of his adopted occupation. This kind of verbal deterioration is more
easy to acquire by careless habit than to relinquish when an upper
stratum of society is again reached, as relatives of young men returning
from 'back block' sojourns or 'northern territory' explorations have
discovered to their regret. Taking his privations into consideration, it
must not be considered very wonderful that the 'Ballarat Harry' of Omeo
was a different-appearing personage from the Lance Trevanion of No. 6,
Growlers', much more the haughty, rebellious heir of Wychwood.
The expected morning broke--a transcendent day of early spring, known
even to this mountain land, mist-shrouded and storm-swept though it be
in its winter garb. The sky was cloudless, the air breezeless, as the
sun uplifted his golden shield over the forest-clothed shoulders of the
Bogong and the Buffalo.
As the pearl-gray tints of the dawn-light insensibly dissolved,--losing
themselves, even as had the darker hues of the earlier morning, in a
bath of delicatest pink, enriched ere the eye could trace the
translucence with hues prodigal of crimson and burnished gold,--the
austere marble-white snow-peaks appeared to stand forth in yet more
awful and supernal splendour. Contrasted with colouring of indescribable
brilliancy, they appeared a company of phantasmal apparitions in the
silence of that wondrous dawn pageant.
Public-domain text, read in full here on John Shaqi.
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