“Sir,” said the man, “they are immensely valuable. More I cannot tell
you. Since M. de Vandeleur’s arrival no one in the quarter has so much
as passed the door.”
“Suppose not,” returned Francis, “you must surely have some notion what
these famous galleries contain. Is it pictures, silks, statues, jewels,
or what?”
“My faith, sir,” said the fellow with a shrug, “it might be carrots,
and still I could not tell you. How should I know? The house is kept
like a garrison, as you perceive.”
And then as Francis was returning disappointed to his room, the porter
called him back.
“I have just remembered, sir,” said he. “M. de Vandeleur has been in
all parts of the world, and I once heard the old woman declare that he
had brought many diamonds back with him. If that be the truth, there
must be a fine show behind those shutters.”
By an early hour on Sunday Francis was in his place at the theatre. The
seat which had been taken for him was only two or three numbers from
the left-hand side, and directly opposite one of the lower boxes. As
the seat had been specially chosen there was doubtless something to be
learned from its position; and he judged by an instinct that the box
upon his right was, in some way or other, to be connected with the
drama in which he ignorantly played a part. Indeed, it was so situated
that its occupants could safely observe him from beginning to end of
the piece, if they were so minded; while, profiting by the depth, they
could screen themselves sufficiently well from any counter-examination
on his side. He promised himself not to leave it for a moment out of
sight; and whilst he scanned the rest of the theatre, or made a show of
attending to the business of the stage, he always kept a corner of an
eye upon the empty box.
The second act had been some time in progress, and was even drawing
towards a close, when the door opened and two persons entered and
ensconced themselves in the darkest of the shade. Francis could hardly
control his emotion. It was Mr. Vandeleur and his daughter. The blood
came and went in his arteries and veins with stunning activity; his
ears sang; his head turned. He dared not look lest he should awake
suspicion; his play-bill, which he kept reading from end to end and
over and over again, turned from white to red before his eyes; and when
he cast a glance upon the stage, it seemed incalculably far away, and
he found the voices and gestures of the actors to the last degree
impertinent and absurd.
Public-domain text, read in full here on John Shaqi.
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