It's a pity the hollyhock isn't really little, instead of steepling up to the window top, but I can't say, 'Gay _tall_ hollyhock.'... I might have it 'Lines to a Hollyhock in May,' for then it would be small; but oh, no! I forgot; in May it wouldn't be blooming, and it's so pretty to say that its head is 'sweetly rosetted'... I wish the teacher wasn't away; she would like 'sweetly rosetted,' and she would like to hear me recite 'Roll on, thou deep and dark blue ocean, roll!' that I learned out of Aunt Jane's Byron; the rolls come booming out of it just like the waves at the beach.... I could make nice compositions now, everything is blooming so, and it's so warm and sunny and happy outdoors. Miss Dearborn told me to write something in my thought book every single day, and I'll begin this very night when I go to bed.” Rebecca Rowena Randall, the little niece of the brick-house ladies, and at present sojourning there for purposes of board, lodging, education, and incidentally such discipline and chastening as might ultimately produce moral excellence,--Rebecca Randall had a passion for the rhyme and rhythm of poetry. From her earliest childhood words had always been to her what dolls and toys are to other children, and now at twelve she amused herself with phrases and sentences and images as her schoolmates played with the pieces of their dissected puzzles. If the heroine of a story took a “cursory glance” about her “apartment,” Rebecca would shortly ask her Aunt Jane to take a “cursory glance” at her oversewing or hemming; if the villain “aided and abetted” someone in committing a crime, she would before long request the pleasure of “aiding and abetting” in dishwashing or bedmaking. Sometimes she used the borrowed phrases unconsciously; sometimes she brought them into the conversation with an intense sense of pleasure in their harmony or appropriateness; for a beautiful word or sentence had the same effect upon her imagination as a fragrant nosegay, a strain of music, or a brilliant sunset. “How are you gettin' on, Rebecca Rowena?” called a peremptory voice from within. “Pretty good, Aunt Miranda; only I wish flowers would ever come up as thick as this pigweed and plantain and sorrel. What _makes_ weeds be thick and flowers be thin?--I just happened to be stopping to think a minute when you looked out.” “You think considerable more than you weed, I guess, by appearances. How many times have you peeked into that humming bird's nest? Why don't you work all to once and play all to once, like other folks?” “I don't know,” the child answered, confounded by the question, and still more by the apparent logic back of it. “I don't know, Aunt Miranda, but when I'm working outdoors such a Saturday morning as this, the whole creation just screams to me to stop it and come and play.”