Back of the War of Independence was the less absorbing but scarcely less harrowing contest of the French and Indian War. Thus for a period of fully thirty years the people of New England had been subjected to the rough and unsettling experiences of military life. This consideration, taken in connection with the fact that a growing declension from the standards of the Puritan fathers had been the occasion of increasing comment and concern from the middle of the seventeenth century on,[4] will make explicable the fact that the average citizen of New England emerged from the Revolutionary struggle with the edge of his conscience dulled. The secularizing spirit of the post-Revolutionary period, when questions of national organization and unity, of the rehabilitation of commerce and industry, and of international relations and policies were foremost in the thought of the day, left marks upon the human spirit over which stern and rigorous adherents to the old order wept copiously and long. For one thing, the lives of the men and women of New England were never again to be as barren of diversified interests as they had been in the past. The successful issue of the struggle for political independence had so enlarged the mind of the common man that he of necessity entertained considerations of private desire and of public policy which he formerly would have rejected entirely. The avenue of retreat to the ancient simplicity and seclusion was forever closed. The soundness of this estimate of the rapid disintegration of Puritanism will be apparent if the changing attitude of the people on the subject of theatrical entertainments is considered.[5] As early as the year 1750 the General Court of Massachusetts had found it necessary to enact legislation to prevent stage-plays and other theatrical entertainments.[6] That Puritan standards dominated the situation at the time is evidenced both by the reasons advanced by the framers of the law for its enactment and by the stringent penalties attached to it. The justification of the measure was found in the economic waste, the discouraging effect upon industry and frugality, and the deleterious effect upon morality and religion which stage-plays were believed to exercise. The penalties imposed called for a fine of twenty pounds upon any owner of property who permitted his property to be used for such purposes, while a fine of five pounds was to be assessed upon any actor or spectator found in attendance upon or participating in any such exercises where more than twenty persons were assembled together.[7] How meekly the craving for pleasurable excitement bowed its head in submission, there is no evidence to show; but it is very clear that as the century drew toward its close the people of Massachusetts began to manifest a decidedly intractable spirit with respect to legislative control of their amusements and pleasures.