Hamlet was not their first choice. It was not even their tenth and to
the end it was not the unanimous choice. During the preliminary stages
of the dramatic fever Miss Masters preserved that strict neutrality
which marks the successful Settlement worker. She would help--oh, surely
she would help--the Hyacinths, but she would not lead them. She had
never questioned their taste in the shape and color of their shirt
waists. Some horrid garments had resulted but to her they represented
"self expression," and as such gave her more pleasure than any servile
following of her advice could have done. She soon discovered that the
latitude in the shirt waist field is far exceeded by that in the
dramatic and she discovered too, that the Lady Hyacinths, though they
seldom visited the theatre had strong digestions where plays were
concerned.
"East Lynne" was warmly advocated until some one discovered a
grandmother who had seen it in her youth. Then:
"Ah gee!" remarked the Lady Hyacinths, "we ain't no grave snatchers. We
ain't goin' to dig up no dead ones. Say Miss Masters, ain't there no new
plays we could give?"
Miss Masters referred them to the public library, but not many plays are
obtainable in book form, and the next two meetings were devoted to the
plays of Ibsen, Bernard Shaw, Vaughan Moody. When Miss Masters descried
this literature in the hands of the now openly mutinous Secretary she
felt the time had come to interfere with the "self activity" of her
charges. She promptly confiscated the second volume of "G.B.S." "For,"
she explained "we don't want to do anything unpleasant and the writer of
these plays himself describes them as that."
"Guess we don't," the President agreed. "We got to live up to our name,
ain't we? An' what could be pleasanter than a Hyacinth?"
"Nothing, of course," agreed Miss Masters unsteadily.
"There's one in this Ibsen book might do," Jennie suggested. "It's
called 'A Dolls' House,' that's a real sweet name."
"I am afraid it wouldn't do," said Miss Masters hastily.
"What's the matter with it?" demanded Susie Meyer.
"Well, in the first place, there are children in it--"
"Cut it! 'Nough said," pronounced the President. "Them plays wid kids in
'em is all out of style. We giv' 'East Lynne' the turn down an' there
was only one kid in that. What else have you got in that Gibson book?
Have you got the play with the Gibson goils in it? We could do that all
right, all right. Ain't most of us got Gibson pleats in our shirt
waists?"
"I don't see nothin' about goils," the Secretary made answer, "but
there's one here about ghosts. How would that do?"
"Not at all," said Miss Masters firmly.
"What's the matter with it?" asked one of the girls abandoning her
sewing-machine and coming over to the table. "I seen posters of it last
year. They are givin' it in Broadway. The costoomes would be real easy,
just a sheet you know and your hair hanging down."
Public-domain text, read in full here on John Shaqi.
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