Agriculture, Cooperative -- Fiction; Country life -- Fiction; Farmers -- Fiction; New England -- Fiction; Villages -- Fiction
From that point on, the work went along swimmingly. After getting all
the buildings straightened up I brought down a couple of carpenters to
do the shingling. At different times Seth and Jim and Josh came along
to watch proceedings. They bore no ill will and offered me plenty of
advice. At first I resented this, but after a while I learned not to
mind. I couldn’t help liking the men after a fashion and I enjoyed
their stories. They took as paternal an interest in my affairs as
though I were a tenant and they were landlords. They were like children
in the intimate questions they asked, but I found that they were not at
all disturbed if they received no replies.
After the shingling I began on the plastering. I knocked down the old
plastering in every room and found that the lathing was all of the old
split-board kind. This really made a stronger and firmer background
than the modern lathing. I made another find; two fireplaces which had
been bricked up to accommodate air-tight stoves. I was mighty well
pleased with this because I’m fond of fireplaces and had wondered how I
was going to build one without tearing the house half to pieces.
The next thing we did was to putty up the holes and cracks and paint
every speck of wood inside and out a dead white. Ruth insisted on white.
“Somehow I wouldn’t feel I was living in the country if my house wasn’t
white,” she said.
I agreed with her, for to my mind there’s no color so fresh and bright
looking. And the very first coat brought the old house to life. It’s
wonderful what paint will do. It didn’t make the house look new in the
sense of making it appear like a house of to-day, but rather carried it
back to its youth. It was like making an old man young again. We could
hardly wait for the paint to dry before starting the second coat, and
that carried us back another twenty-five years. Even Seth, who at the
start had allowed that the old shack wasn’t worth repairing, admitted
now that it began to look real nifty.
And the inside looked as fine as the outside. When we began, the
woodwork was discolored both by age and dirt. This made the whole
interior look worse than a cheap tenement. Twenty dollars’ worth of
white lead and oil changed this as though by magic into a clean white,
as fresh as when the house was first built. There is nothing which
shows age more than paint and there’s nothing so easily remedied. If
the owners had done what I had already done they would have made almost
three hundred per cent. interest on their investment. In three weeks,
at a cost of four hundred dollars, I had added fifteen hundred in value
to the place. And it was a legitimate value. My paint hadn’t covered up
defects; it had simply brought out the honest worth of the structure.
Public-domain text, read in full here on John Shaqi.
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