A little, bearded man, pale, peaked in sleeping,
With a face like a chickweed flower.
And a heavy woman, sleeping still keeping
Callous and dour.
Over the pallor of only two places
Tossed on the low, black, ruffled heap
Passes the light of the tram as it races
Out of the deep.
Eloquent limbs
In disarray
Sleep-suave limbs of a youth with long, smooth
thighs
Hutched up for warmth; the muddy rims
Of trousers fray
On the thin bare shins of a man who uneasily lies.
The balls of five red toes
As red and dirty, bare
Young birds forsaken and left in a nest of mud--
Newspaper sheets enclose
Some limbs like parcels, and tear
When the sleeper stirs or turns on the ebb of the
flood--
One heaped mound
Of a woman's knees
As she thrusts them upward under the ruffled skirt--
And a curious dearth of sound
In the presence of these
Wastrels that sleep on the flagstones without any
hurt.
Over two shadowless, shameless faces
Stark on the heap
Travels the light as it tilts in its paces
Gone in one leap.
At the feet of the sleepers, watching,
Stand those that wait
For a place to lie down; and still as they stand,
they sleep,
Wearily catching
The flood's slow gait
Like men who are drowned, but float erect in the
deep.
Oh, the singing mansions,
Golden-lighted tall
Trams that pass, blown ruddily down the night!
The bridge on its stanchions
Stoops like a pall
To this human blight.
On the outer pavement, slowly,
Theatre people pass,
Holding aloft their umbrellas that flash and are
bright
Like flowers of infernal moly
Over nocturnal grass
Wetly bobbing and drifting away on our sight.
And still by the rotten
Row of shattered feet,
Outcasts keep guard.
Forgotten,
Forgetting, till fate shall delete
One from the ward.
The factories on the Surrey side
Are beautifully laid in black on a gold-grey sky.
The river's invisible tide
Threads and thrills like ore that is wealth to the eye.
And great gold midges
Cross the chasm
At the bridges
Above intertwined plasm.
WINTER IN THE BOULEVARD
THE frost has settled down upon the trees
And ruthlessly strangled off the fantasies
Of leaves that have gone unnoticed, swept like old
Romantic stories now no more to be told.
The trees down the boulevard stand naked in
thought,
Their abundant summery wordage silenced, caught
In the grim undertow; naked the trees confront
Implacable winter's long, cross-questioning brunt.
Has some hand balanced more leaves in the depths
of the twigs?
Some dim little efforts placed in the threads of the
birch?--
It is only the sparrows, like dead black leaves on
the sprigs,
Sitting huddled against the cerulean, one flesh with
their perch.
The clear, cold sky coldly bethinks itself.
Like vivid thought the air spins bright, and all
Trees, birds, and earth, arrested in the after-thought
Awaiting the sentence out from the welkin brought.
SCHOOL ON THE OUTSKIRTS
Public-domain text, read in full here on John Shaqi.
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