Why! read the tombstones and monuments in any old English church, those, I mean, that date from earlier than 1800, and you will see the history of every family, of even the prosperous county families, _laced_ with the deaths of infants and children. Nearly half of them died. Think, too, how stern was the upbringing. And always before these days it seemed natural to make all but the children of the very wealthy and very refined, fear and work from their earliest years. There comes to us too, from these days, beautiful furniture, fine literature, paintings; but there comes too, much evidence of harsh whippings, dark imprisonments and hardly a children's book, hardly the broken vestige of a toy. Bad as things are, they are better--rest assured--and yet they are still urgently bad. The greater evil of the past is no reason for contentment with the present. But it is an earnest for hoping that our efforts, and that Good Will of which they are a part and outcome, may still go on bearing fruit in perpetually dwindling misery. § 4. It seems to me that the whole spirit and quality of both the evil and the good of our time, and of the attitude not simply of the Socialist but of every sane reformer towards these questions, was summarized in a walk I had a little while ago with a friend along the Thames Embankment, from Blackfriars Bridge to Westminster. We had dined together and we went there because we thought that with a fitful moon and clouds adrift, on a night when the air was a crystal air that gladdened and brightened, that crescent of great buildings and steely, soft-hurrying water must needs be altogether beautiful. And indeed it was beautiful; the mysteries and mounting masses of the buildings to the right of us, the blurs of this coloured light or that, blue-white, green-white, amber or warmer orange, the rich black archings of Waterloo Bridge, the rippled lights upon the silent-flowing river, the lattice of girders and the shifting trains of Charing Cross Bridge--their funnels pouring a sort of hot-edged moonlight by way of smoke--and then the sweeping line of lamps, the accelerated run and diminuendo of the Embankment lamps as one came into sight of Westminster. The big hotels were very fine, huge swelling shapes of dun dark-grey and brown, huge shapes seamed and bursting and fenestrated with illumination, tattered at a thousand windows with light and the indistinct, glowing suggestions of feasting and pleasure. And dim and faint above it all and very remote was the moon's dead wan face veiled and then displayed. But we were dashed by an unanticipated refrain to this succession of magnificent things, and we did not cry, as we had meant to cry, how good it was to be alive! We found something else, something we had forgotten.