Man-woman relationships -- Fiction; Married women -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction; Widows -- Fiction
And then the inevitable began. She forgot the fire, forgot her
anxieties, forgot Mrs. Wesson’s affront, forgot everything but the
amusement, the passing childish amusement, of twirling around her little
finger this shy clumsy boy, as she had twirled so many others, old and
young, not caring afterward if she ever saw them again, but so absorbed
in the sport, and in her sense of knowing how to do it better than the
other women--more quietly, more insidiously, without ogling, bridling or
grimacing--that sometimes she used to ask herself with a shiver: “What
was the gift given to me for?” Yes; it always amused her at first: the
gradual dawn of attraction in eyes that had regarded her with
indifference, the blood rising to the face, the way she could turn and
twist the talk as though she had her victim on a leash, spinning him
after her down winding paths of sentimentality, irony, caprice ... and
leaving him, with beating heart and dazzled eyes, to visions of an
all-promising morrow.... “My only accomplishment!” she murmured to
herself as she rose from the table followed by young Wesson’s
fascinated gaze, while already, on her own lips, she felt the taste of
cinders.
“But at any rate,” she thought, “he’ll hold his tongue about having seen
me at the fire.”
V
She let herself in with her latch-key, glanced at the notes and letters
on the hall-table (the old habit of allowing nothing to escape her), and
stole up through the darkness to her room.
A fire still glowed in the chimney, and its light fell on two vases of
crimson roses. The room was full of their scent.
Mrs. Hazeldean frowned, and then shrugged her shoulders. It had been a
mistake, after all, to let it appear that she was indifferent to the
flowers; she must remember to thank Susan for rescuing them. She began
to undress, hastily yet clumsily, as if her deft fingers were all
thumbs; but first, detaching the two faded pink roses from her bosom,
she put them with a reverent touch into a glass on the toilet-table.
Then, slipping on her dressing-gown, she stole to her husband’s door. It
was shut, and she leaned her ear to the keyhole. After a moment she
caught his breathing, heavy, as it always was when he had a cold, but
regular, untroubled.... With a sigh of relief she tiptoed back. Her
uncovered bed, with its fresh pillows and satin coverlet, sent her a
rosy invitation; but she cowered down by the fire, hugging her knees and
staring into the coals.
“So _that’s_ what it feels like!” she repeated.
It was the first time in her life that she had ever been deliberately
“cut”; and the cut was a deadly injury in old New York. For Sabina
Wesson to have used it, consciously, deliberately--for there was no
doubt that she had purposely advanced toward her victim--she must have
done so with intent to kill. And to risk that, she must have been sure
of her facts, sure of corroborating witnesses, sure of being backed up
by all her clan.
Public-domain text, read in full here on John Shaqi.
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