Man-woman relationships -- Fiction; Married women -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction; Widows -- Fiction
For she was really too lovely--too formidably lovely. I was used by now
to mere unadjectived loveliness, the kind that youth and spirits hang
like a rosy veil over commonplace features, an average outline and a
pointless merriment. But this was something calculated, accomplished,
finished--and just a little worn. It frightened me with my first glimpse
of the infinity of beauty and the multiplicity of her pit-falls. What!
There were women who need not fear crow’s-feet, were more beautiful for
being pale, could let a silver hair or two show among the dark, and
their eyes brood inwardly while they smiled and, chatted? But then no
young man was safe for a moment! But then the world I had hitherto known
had been only a warm pink nursery, while this new one was a place of
darkness, perils and enchantments....
It was the next day that one of my sisters asked me where I had been the
evening before, and that I puffed out my chest to answer: “With Mrs.
Hazeldean--at the opera.” My mother looked up, but did not speak till
the governess had swept the girls off; then she said with pinched lips:
“Hubert Wesson took you to Mrs. Hazeldean’s box?”
“Yes.”
“Well, a young man may go where he pleases. I hear Hubert is still
infatuated; it serves Sabina right for not letting him marry the
youngest Lyman girl. But don’t mention Mrs. Hazeldean again before your
sisters.... They say her husband never knew--I suppose if he _had_ she
would never have got old Miss Cecilia Winter’s money.” And it was then
that my mother pronounced the name of Henry Prest, and added that
phrase about the Fifth Avenue Hotel which suddenly woke my boyish
memories....
In a flash I saw again, under its quickly-lowered veil, the face with
the exposed eyes and the frozen smile, and felt through my grown-up
waistcoat the stab to my boy’s heart and the loosened murmur of my soul;
felt all this, and at the same moment tried to relate that former face,
so fresh and clear despite its anguish, to the smiling guarded
countenance of Hubert’s “jolliest woman I know.”
I was familiar with Hubert’s indiscriminate use of his one adjective,
and had not expected to find Mrs. Hazeldean “jolly” in the literal
sense: in the case of the lady he happened to be in love with the
epithet simply meant that she justified his choice. Nevertheless, as I
compared Mrs. Hazeldean’s earlier face to this one, I had my first
sense of what may befall in the long years between youth and maturity,
and of how short a distance I had travelled on that mysterious journey.
If only she would take me by the hand!
Public-domain text, read in full here on John Shaqi.
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