Man-woman relationships -- Fiction; Married women -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction; Widows -- Fiction
“Oh, my dear, look--here they all come! The New Year ladies! Low neck
and short sleeves in broad daylight, every one of them! Oh, and the fat
one with the paper roses in her hair ... they _are_ paper, my dear ...
off the frosted cake, probably! Oh! Oh! Oh! _Oh!_”
Aunt Sabina Wesson was obliged to stuff her lace handkerchief between
her lips, while her firm poplin-cased figure rocked with delight.
“Well, my dear,” Grandmamma gently reminded her, “in my youth we wore
low-necked dresses all day long and all the year round.”
No one listened. My cousin Kate, who always imitated Aunt Sabina, was
pinching my arm in an agony of mirth. “Look at them scuttling! The
parlours must be full of smoke. Oh, but this one is still funnier; the
one with the tall feather in her hair! Granny, did you wear feathers in
your hair in the daytime? Oh, don’t ask me to believe it! And the one
with the diamond necklace! And all the gentlemen in white ties! Did
Grandpapa wear a white tie at two o’clock in the afternoon?” Nothing was
sacred to Kate, and she feigned not to notice Grandmamma’s mild frown of
reproval.
“Well, they do in Paris, to this day, at weddings--wear evening clothes
and white ties,” said Sillerton Jackson with authority. “When Minnie
Transome of Charleston was married at the Madeleine to the Duc de....”
But no one listened even to Sillerton Jackson. One of the party had
abruptly exclaimed: “Oh, there’s a lady running out of the hotel who’s
not in evening dress!”
The exclamation caused all our eyes to turn toward the person indicated,
who had just reached the threshold; and someone added, in an odd voice:
“Why, her figure looks like Lizzie Hazeldean’s--”
A dead silence followed. The lady who was not in evening dress paused.
Standing on the door-step with lifted veil, she faced our window. Her
dress was dark and plain--almost conspicuously plain--and in less time
than it takes to tell she had put her hand to her closely-patterned veil
and pulled it down over her face. But my young eyes were keen and
farsighted; and in that hardly perceptible interval I had seen a vision.
Was she beautiful--or was she only someone apart? I felt the shock of a
small pale oval, dark eyebrows curved with one sure stroke, lips made
for warmth, and now drawn up in a grimace of terror; and it seemed as if
the mysterious something, rich, secret and insistent, that broods and
murmurs behind a boy’s conscious thoughts, had suddenly peered out at
me.... As the dart reached me her veil dropped.
“But it _is_ Lizzie Hazeldean!” Aunt Sabina gasped. She had stopped
laughing, and her crumpled handkerchief fell to the carpet.
“Lizzie--_Lizzie_?” The name was echoed over my head with varying
intonations of reprobation, dismay and half-veiled malice.
Lizzie Hazeldean? Running out of the Fifth Avenue Hotel on New Year’s
day with all those dressed-up women? But what on earth could she have
been doing there? No; nonsense! It was impossible....
Public-domain text, read in full here on John Shaqi.
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