"Everything has to have a beginning, so we are here to-day to begin our work of actual construction, and it is specially fitting that we should have present the Governor of New York to assist in the ceremonies attendant therewith, for he has always heartily supported the project of the St. Louis Exposition and has furthered its interests on every occasion. Therefore, on behalf of the New York State Commission, I ask you, Governor Odell, to honor the great World's Fair of 1904 by performing the first actual work upon the structure we propose to erect by turning the first spadeful of earth for the State of New York and the New York State building." The Governor responded briefly, commending the Commission for its work, predicting wonderful benefits to accrue from the Exposition and prophesying that New York would be at the forefront in all of its departments, after which he lifted the first spadeful of earth upon the site. He then handed the spade to Mrs. Odell, who lifted another sod; after which various ladies in the party performed the same act; at the conclusion of which the assemblage adjourned. OPENING OF THE BUILDING The building of the State of New York was the only building on the Terrace of States entirely ready for the reception of guests on the opening day of the Exposition. It was a structure thoroughly in keeping with the dignity and prestige of the great Empire State. Of marked simplicity in design, there was in its every line and appointment evidence of the utmost refinement and culture. The building was planned primarily for the comfort, accommodation and convenience of visitors from the Empire State, for the holding of such functions as the Commission were required to give in the name of the State, and for the meetings of any associations or delegations from New York attending the Exposition. It contained no exhibits of any kind, all of the exhibits being placed in the main exhibit palaces under the proper subdivision of the official classification. THE ARCHITECTURE The building was pure Italian in style, surmounted by a low dome and surrounded by verandas and terraces. Through the main approach one entered a large hall sixty feet square, running the full height of the building, arched and domed in the Roman manner, with galleries around the second story. From this hall ascended the grand staircase, both to the left and to the right. MURAL DECORATIONS