The entire work of designing the building, sculpture, decorations and furniture was intrusted to Mr. Clarence Luce, of 246 Fourth avenue, New York city. Thoroughly familiar with the traditions of the great Empire State, Mr. Luce made the work committed to him a matter of State as well as professional pride, and the result of his long experience, coupled with his artistic temperament and sound judgment, was a building to which each New Yorker pointed with the utmost pride and which each stranger praised unstintingly. The prompt completion of the work so thoroughly and satisfactorily done was a source of gratification to the Commission, who at the first meeting held in the building passed commendatory resolutions concerning Mr. Luce. There were State buildings which represented an outlay of considerably more money, but none which typified the commonwealth for which it stood more thoroughly than did the New York State building. THE RESTAURANT A pleasant feature was a private restaurant, conducted by Messrs. Bayno & Pindat, of New York city, the former being the inventor of an electric range which was used in the preparation of food. The kitchen and commissary department was in the basement at the north end of the building. The privileges of the restaurant were by card only, and were extended to New Yorkers, Exposition officials and prominent Exposition visitors. The cuisine was most excellent, and throughout the season appetizing meals were served on the spacious verandas at the north end of the building, over which canopies had been erected, the illumination being furnished in the evening by electric lights, contained in Japanese lanterns. No restaurant upon the grounds enjoyed a greater popularity among those who were privileged to use it than did that of the New York State building. THE ORGAN To the Aeolian Company, of New York city, the Commission is indebted for one of the features of the building. This company placed a magnificent pipe organ in the east balcony of the rotunda, and in the gallery north of the grand hall, nearly 100 feet away, was installed an echo organ, while a set of cathedral chimes sounded softly from still another distant part of the building. All three instruments were under control of the organist at the console located upon the main floor of the entrance hall, and could be played either by hand or by music rolls manufactured by the Aeolian Company. The organ was equipped with an electric keyboard which permitted the playing of all three instruments or any single one, as the operator desired. The main instrument was contained in an artistic case, which, with its decorative ornament, was built by Charles and Jacob Blum, of New York city, and was an important enrichment of the hall.