But, next day, the management got one word from the cops--"Nix!" The monitors of modesty admitted the girl was completely clad. "But," said they, "it is a sub for a strip-tease." There is nothing approaching the nudity permitted in other cities in our midtown clubs. Navels must be covered. As for higher up-- If you have tears, prepare to shed them now. That's about all you can still shed on Broadway. 4. THE THEATAH! Though films, radio, video and even night clubs far surpass the legit in numbers of those employed and in earnings of most stars, New York is the last citadel on this continent of that phantasmagoria of the ages, the theatre. Shubert Alley, a narrow private street running from 44th to 45th, behind the Astor Hotel, is its ventricle. Within a 300-foot radius are some of the most important playhouses, the thrones of most of the theatrical impresarios and mighty agents, and the dining places and haunts of the distinctive, generic folk who compose this gregarious galaxy. Old-timers, and some stars, still foregather in the Astor Hunting Room. The mart and meeting place for lunch, dinner and after openings is Sardi's. The youngsters eat at Walgreen's drugstore, 44th Street and Broadway, and the drugstore in the Astor; instead of cocktails they sip cokes and smoke reefers. Here they swap dreams, inveigh against the "favoritism" that holds them back and tell what they'd do if they had the part instead of Helen Hayes. Unfortunately, too many of the adolescents have been tinged with political radicalism and tainted with homosexuality. Yet, the New York theatre is still the most vital and vibrant facet of show business, and from it comes almost everything good in its bastard offspring, radio, its newer brother, television, and the movies. Despite the thousands of accounts that have been written about the drama, the comedy and the cruelty that go into an offering in a first-class playhouse, no one has yet conveyed realistically the hopes, the fears, the prayers, of the actors, the authors, the directors, producers and attachés as they approach and experience the momentous opening night. It is a gigantic gamble, forever in untried walks; for the over-all combination is never the same. One chuckle in the right spot can make a career and a million dollars; a dimple in a knee, an ad lib side remark which is left in because it was spontaneous, an expression on one face at a critical moment, have been known to do it. Yet, no one has ever lived who could say, before an audience has put thumbs up or down, "This is a hit." There has been much controversy over the power of the critics. In New York, these dozen professional reviewers are a jury, voting the fate of many men and women, who are on the defensive. But there is no presumption of innocence, and there are no attorneys to plead for the accused. There is the right of appeal, to the public; and, once in a miracle moon, the people override the reviewers.