Furthermore, it could easily be shown that, for those who love old New
York, there is plenty of local historical association along these same
straight, unromantic-looking cross streets--for those who know how to
find it. For that matter one might go still further and hold that there
would not be so much antiquarian delight in New York if these streets
were not new and straight and non-committal looking. If, for instance,
the old Union Road, which was the roundabout, wet-weather route to
Greenwich village, had not been cut up and mangled by a merciless city
plan there wouldn't be the fun of tracing it by projecting corners
and odd angles of houses along West Twelfth Street between Fifth and
Sixth Avenues. It would be merely an open, ordinary street, concealing
nothing, and no more exciting to follow than Pearl Street down-town--and
not half so crooked or historical as Pearl Street. There would not be
that odd, pocket-like courtway called Mulligan "Place," with a dimly
lighted entrance leading off Sixth Avenue between Tenth and Eleventh
Streets. Nor would there be that still more interesting triangular
remnant of an old Jewish burying-ground over the way, behind the old
Grapevine Tavern. For either the whole cemetery would have been allowed
to remain on Union Road (or Street), which is not likely, or else they
would have removed all the graves and covered the entire site with
buildings, as was the case with a dozen other burying-grounds here and
there. If the commissioners had not had their way we could not have all
those inner rows of houses to explore, like the "Weaver's Row," once
near the Great Kiln Road, but now buried behind a Sixth Avenue store
between Sixteenth and Seventeenth Streets, and entered, if entered at
all, by way of a dark, ill-smelling alley. Nor would the negro quarter,
a little farther up-town, have its inner rows which seem so appropriate
for negro quarters, especially the whitewashed courts opening off
Thirtieth Street, where may be found, in these secluded spots, trees and
seats under them, with old, turbanned mammies smoking pipes and looking
much more like Richmond darkies than those one expects to see two blocks
from Daly's Theatre. Colonel Carter of Cartersville could not have
found such an interesting New York residence if the commissioners had
not had their way, nor could he have entered it by a tunnel-like passage
under the house opposite the Tenth Street studios. Even Greenwich would
not be quite so entertaining without those permanent marks of the
conflict between village and city which resulted in separating West
Eleventh Street so far from Tenth, and in twisting Fourth Street around
farther and farther until it finally ends in despair in Thirteenth
Street. If the commissioners had not had their way we should have had no
"Down Love Lane" written by Mr. Janvier.
* * * * *
Public-domain text, read in full here on John Shaqi.
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