Brooklyn Bridge the first bridge between Manhattan and Long Island. The
day of its opening was one of great public enthusiasm. Parties were
given for walking or driving across the bridge, and that night half New
York and Brooklyn were on the house-tops to watch it illuminated by
fire-works. In those days it was called “_The_ Bridge.” But now since
the Manhattan, the Williamsburg and the Queensboro bridges have been
added to the East River giants, it has become “The _Old_ Bridge,” a name
meaning many things to those who have known it from its beginning. Its
erection was a long step towards close relationship between New York and
the whole of Long Island.
[Illustration]
VIII
THE TOMBS PRISON
Who can look at a prison without being glad that he is not in it? At the
corner of Lafayette and Franklin streets is the great gray pile that is
the Tombs. Its turrets, towers and narrow windows suggest dungeon keeps
and feudal castles; its heavy gateways,--medieval strongholds. Its high
exterior wall and “Bridge of Sighs” make one remember the lugubrious
histories of the Doge’s Palace and of the Tour de Nesle. Those inside
bear the double burden of being imprisoned and of knowing that close
about them is all the life of the great city: its lights, its
restaurants, its countless activities and its friends. Yes, looking at
the Tombs, grim as it is, makes one feel strangely fortunate.
[Illustration]
IX
LOOKING WEST ALONG PECK SLIP
If Father Knickerbocker should come over to New York on the Fulton
Ferry, as in times gone by he used to do, when he had been visiting his
respected neighbors on Brooklyn Heights; and if he should stand on South
Street and look up Peck Slip and see it as it is to-day--how he would
stare through his horn-rimmed spectacles and how his dear old heart
would thump under his brass-buttoned coat! How he would pinch himself
and wonder what it all could mean! What was that enormous shaft all
white and glowing in the afternoon, rising eight hundred feet or eight
thousand to the very sky? What were those towers, spires and turrets,
soaring above the clouds, the brilliant sunlight gilding their countless
feathers of steam and decking their phantom minarets with myriad
candles? What _could_ it mean? Had he landed on Manhattan or was this
some island built by fairies or by elves? Nay, this place was far too
fair for that, and must be then the work of witchcraft and the devil. Or
was it, after all, the same old place that he had known, but grown and
glorified beyond belief? And when he finally realized this to be the
case, Father Knickerbocker without doubt would be wondrous proud of his
great-grandsons and of the New York of to-day.
[Illustration]
X
THE PIER
Like twin Colossi, silent amid the hum of cities and the whistling of a
thousand boats, the grim piers of Brooklyn Bridge stand sentry at the
river’s gate.
[Illustration]
XI
THE MUNICIPAL BUILDING
Public-domain text, read in full here on John Shaqi.
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