They are emotional, but not less brave because tears stood in their
eyes as they listened to Te Turi's prayer. Their great chiefs solemn
chant and the exclamations which greeted the forest in its summer
dress show their poetic mind and their capacity for felicitous speech.
Moreover, they are fond of fun and have a trenchant wit, if not a very
lightsome humour. They are quick at repartee, and eloquent in discourse.
When their villages are built, you shall note how kind and hospitable
they are to strangers of whatever race. Also, you shall be convinced
that among the gentlemen of their tribes a lie is a thing abominable
and abhorred, and the word of a chief, once passed, most rarely broken.
Are they then faultless, these newcomers to the land which Maui fished
up from the sea? No; for they are men, and men yet stumbling in the
night of paganism. There is no need to catalogue their faults; they are
those common to savages, and too many of them will show clearly as this
narrative progresses. Till then let us pass them over.
Take one more look at the faces of these old-time Maori. They differ
from those of their descendants, for they are unmarked by tattoo.
The Maori of the immediate past were noted for the extraordinarily
elaborate tattooing or, rather, carving, which embellished their faces
and, sometimes, their hips. When the Pakeha arrived a Maori with
beard, whiskers or moustache was as rare as the _moa_; for tattooing
necessitated a smooth face, and each warrior was careful to pull out
every offending hair from cheek, lips and chin.[25] Thus, neither the
process nor the result was interfered with, and this was important, for
every line, curve or mark of any kind had its significance.
Tattooing was by no means universal among the Polynesians, and the
Maori tradition is firm that the faces of the immigrants from Hawaiki
were innocent of tattoo, or _moko_, as the Maori method is styled,
while beards were worn or not, according to individual taste.
It has always been a principle with savages to frighten their enemies
by noise, facial contortions, masks, weird head-dresses and so on. When
the Maori began to quarrel and fight, it occurred to one genius that
a tremendous moral effect would be produced upon the enemy if he--the
genius--were to blacken his face before going into battle. One would
hardly suppose that a shade only two or three degrees deeper than
the original would bring about any startling result; but our genius
evidently succeeded, for the next time his tribe took the field the
faces of all were black as the back of _Tui_, the Parson-bird.
Public-domain text, read in full here on John Shaqi.
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