News from Nowhere; Or, An Epoch of Rest: Being Some Chapters from a Utopian RomanceMorris, William
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News from Nowhere; Or, An Epoch of Rest: Being Some Chapters from a Utopian Romance
Morris, William
Utopias
"Man alive! how can you ask such a question? Have I not told you that we
know what a prison means by the undoubted evidence of really trustworthy
books, helped out by our own imaginations? And haven't you specially
called me to notice that the people about the roads and streets look
happy? and how could they look happy if they knew that their neighbours
were shut up in prison, while they bore such things quietly? And if
there were people in prison, you couldn't hide it from folk, like you may
an occasional man-slaying; because that isn't done of set purpose, with a
lot of people backing up the slayer in cold blood, as this prison
business is. Prisons, indeed! O no, no, no!"
He stopped, and began to cool down, and said in a kind voice: "But
forgive me! I needn't be so hot about it, since there are _not_ any
prisons: I'm afraid you will think the worse of me for losing my temper.
Of course, you, coming from the outlands, cannot be expected to know
about these things. And now I'm afraid I have made you feel
uncomfortable."
In a way he had; but he was so generous in his heat, that I liked him the
better for it, and I said:
"No, really 'tis all my fault for being so stupid. Let me change the
subject, and ask you what the stately building is on our left just
showing at the end of that grove of plane-trees?"
"Ah," he said, "that is an old building built before the middle of the
twentieth century, and as you see, in a queer fantastic style not over
beautiful; but there are some fine things inside it, too, mostly
pictures, some very old. It is called the National Gallery; I have
sometimes puzzled as to what the name means: anyhow, nowadays wherever
there is a place where pictures are kept as curiosities permanently it is
called a National Gallery, perhaps after this one. Of course there are a
good many of them up and down the country."
I didn't try to enlighten him, feeling the task too heavy; but I pulled
out my magnificent pipe and fell a-smoking, and the old horse jogged on
again. As we went, I said:
"This pipe is a very elaborate toy, and you seem so reasonable in this
country, and your architecture is so good, that I rather wonder at your
turning out such trivialities."
It struck me as I spoke that this was rather ungrateful of me, after
having received such a fine present; but Dick didn't seem to notice my
bad manners, but said:
"Well, I don't know; it is a pretty thing, and since nobody need make
such things unless they like, I don't see why they shouldn't make them,
if they like. Of course, if carvers were scarce they would all be busy
on the architecture, as you call it, and then these 'toys' (a good word)
would not be made; but since there are plenty of people who can carve--in
fact, almost everybody, and as work is somewhat scarce, or we are afraid
it may be, folk do not discourage this kind of petty work."
Public-domain text, read in full here on John Shaqi.
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