Nicaragua : $b its people, scenery, monuments, resources, condition, and proposed canalSquier, E. G. (Ephraim George)
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Nicaragua : $b its people, scenery, monuments, resources, condition, and proposed canal
Squier, E. G. (Ephraim George)
Nicaragua; Nicaragua -- Description and travel; Nicaragua Canal (Nicaragua)
He glanced over its contents, took off his hat again, and bowed lower
than before. Not to be behindhand in politeness, I went through the same
performance, which was responded to by a genuflection absolutely beyond
my power to undertake, without risk of a dislocation; so I resigned the
contest, and gave in “dead beat,” much to the entertainment of the Irish
mate, who was not deficient in the natural antipathy of his race towards
the negro. Ben, my colored servant, next received a welcome not less
cordial than my own; and my new acquaintance “was glad to inform me,
that fortunately there was a new house under his charge, which was then
vacant, and that he was happy in putting it at my disposal.” The
happiness was worth exactly eight dollars, as I discovered by a bill
which was presented to me four days thereafter, as we were on the point
of leaving for the interior; and which, considering that the usual rent
of houses here is from four to five dollars per month, was probably
intended to include pay for the genuflections on shipboard. We were
impatient to land, and could not wait for the yawl to be hoisted over
the side; so we crowded ourselves into the canoe of the “Harbor Master,”
and went on shore.
The population of the town was all there, many-hued and fantastically
attired. The dress of the urchins from twelve and fourteen downwards,
consisted generally of a straw hat and a cigar, the latter sometimes
unlighted and stuck behind the ear, but oftener lighted and stuck in the
mouth; a costume sufficiently airy and picturesque, and, as B——
observed, “excessively cheap.”
Public-domain text, read in full here on John Shaqi.
Nicaragua : $b its people, scenery, monuments, resources, condition, and proposed canal — John Shaqi
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