Nicaragua : $b its people, scenery, monuments, resources, condition, and proposed canalSquier, E. G. (Ephraim George)
History
Nicaragua : $b its people, scenery, monuments, resources, condition, and proposed canal
Squier, E. G. (Ephraim George)
Nicaragua; Nicaragua -- Description and travel; Nicaragua Canal (Nicaragua)
But because the more respectable people of Leon do not frequent the
cock-pit, it is not to be inferred that they are wholly averse to the
species of amusement practised there. On the contrary, in the back
corridors of the houses,—and in none more frequently than in those of
the padres,—a dozen fine cocks may almost always be found, or at all
events heard, if not seen. Quiet little parties are got up of
afternoons, cocks fought, and not unfrequently, on such occasions, if
report speaks true, golden ounces find themselves suddenly transferred
from one “bolsa” to another.
Gaming is a passion amongst the people of all Spanish America. But in
Nicaragua it is conducted with less publicity and perhaps to a less
extent than in most of the Spanish States. Nevertheless, I heard of
instances during my residence in the country, in which thousands of
dollars had changed hands in a single evening. The game is, I believe,
universally, the well-known “_monte_.” There are several billiard-rooms
in Leon, which seemed to be always full; but they were not very elegant
nor even clean. And in the Calle Real there was a licensed gaming-house,
“Casa de Juego,” the only one, I believe, in the city. It was crowded
every night by the lower classes of the population. The gambling, as
might be inferred from the character of its frequenters, was of a petty
kind,—of the “dirty rial” order of our friend of the “patio de los
gallos.”
Central America commenced its Republican career with very sweeping
reforms, taking the United States for its model. Amongst the earliest
acts of its government was the prohibition of bull-fighting. The old
taste for that amusement has not, however, died out, but has assumed a
somewhat different form. It was a festival week in the barrio of the
Calvario,—_what_ festival I do not remember, for there was no end to the
fiestas and saint’s days,—and we were told that it was to end with “uno
juego de los toros,” or bull baiting, (as near as I could understand
it,) in the plaza of the church of that district. In fact the cura
waited upon us in person, and invited us to attend. We went in the
afternoon, and found a high, strong fence built around the square, with
a supplementary enclosure outside, leading into the larger one by a
narrow passage closed with heavy bars. The roof and towers of the church
were covered with people, mostly women, and amongst them was a band of
music. All around the square, and clinging to the fence was a swarm of
naked muchachos, and outside of these a great number of horsemen, who,
seated on their steeds, could distinctly witness the whole performance.
Amongst these we took up our position, the crowd giving us the most
commanding place, while an officious alcalde whipped the boys off the
fence in front, so as to allow an uninterrupted view. The music kept up
a great noise, but the crowd had waited a long time, and were impatient,
and assuming the universal prerogatives of crowds, cried out to the
Public-domain text, read in full here on John Shaqi.
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