Nick Carter Stories No. 120, December 26, 1914: An uncanny revenge; or, Nick Carter and the mind murderer.Carter, Nicholas (House name)
General
Nick Carter Stories No. 120, December 26, 1914: An uncanny revenge; or, Nick Carter and the mind murderer.
Carter, Nicholas (House name)
Detective and mystery stories, American -- Periodicals; Popular literature -- Periodicals
Incidentally, Nick foresaw that he could not hope to hold the chair with
one hand. Willard would twist it away and turn it upon him.
He was right. That was precisely what Willard did. Nick let go just in
time to escape a sprained, if not broken wrist, and dodged back.
In order to keep his hand in Nick’s pocket, Grantley was then obliged to
circle about, between the detective and Willard. That saved Nick from
the latter for the moment, and, simultaneously, the detective shifted
his hold from Grantley’s wrist to his hand, pressing his thumb in under
the latter in such a way that it prevented the hammer of the automatic
from descending.
He was just in time, for Grantley pulled the trigger almost at the same
moment. Thanks to Nick’s foresight, however, the weapon did not go off.
Grantley cursed under his breath, but he had not emptied his bag of
tricks. He suddenly drove his head and shoulders in between Nick’s right
arm and side, and threw his own left arm around, with a back-hand
movement, in front of the detective’s body.
The move threw the detective backward, over Grantley’s knee, which was
ready for him. At the same time, the criminal, whose right hand had
remained on the weapon in Nick’s pocket, began to draw the automatic out
and to the rear.
In other words, he was forcing the detective in one direction with the
left arm and working the revolver in the other with his right. It was
manifestly impossible for Nick to stand the two opposing pressures for
long.
Either he must break the hold of Grantley’s left arm, which pressed
across his chest like an iron band, or else he must let go of the
weapon.
The former seemed out of the question in that position; and to
relinquish his hold on the revolver meant a shot in the side, which,
with Grantley’s knowledge of anatomy, would almost certainly prove
fatal.
Backward went Nick’s straining right arm, inward turned the hard muzzle
of the weapon. Grantley was twisting the automatic now, hoping to loosen
the detective’s grasp all the quicker.
Something was due in a few moments, and it promised to be a tragedy for
the detective.
Then, to cap the climax, Willard circled about the two combatants, like
a hawk ready to swoop down on its prey, and, seeing Nick’s head
protruding from under Grantley’s left arm, hauled off and let drive with
the chair.
The surgeon received part of the blow, but Nick’s head stopped enough of
it to end the strange tussle.
The detective crumpled up, but Grantley held him from the floor and
wrested the weapon from the nerveless fingers. He withdrew it from
Nick’s pocket and put it to the detective’s left breast, determined to
end it all, without fail.
It was at that supreme moment that Chick charged up and took a hand.
Nick’s assistant reached Willard first. The latter’s back was toward
him, and he was just in the act of drawing back the chair. Chick’s
clubbed weapon descended on his head without warning, and Willard
pitched forward on his face.
Public-domain text, read in full here on John Shaqi.
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