Nick Carter Stories No. 152, August 7, 1915: The Forced Crime; or, Nick Carter's Brazen Clew.Carter, Nicholas (House name)
General
Nick Carter Stories No. 152, August 7, 1915: The Forced Crime; or, Nick Carter's Brazen Clew.
Carter, Nicholas (House name)
Detective and mystery stories, American -- Periodicals; Popular literature -- Periodicals
Patsy bowed in acknowledgment, and began to ascend the stairs. He was
wondering how he would stand the scrutiny of those fierce eyes when he
should pass close to the red-shaded electric light in the main hall.
Ched Ramar gazed at him as he came up, and the eyes followed him on his
way up the other stairs to the second floor of the great, shadowy house.
Patsy had not been directed to the elevator. That seemed to be reserved
only for the use of Ched Ramar and his guests.
He found himself in the idol room, where the dim red glow from a large
lamp enabled him to see the gigantic Buddha squatting in the middle of
the apartment, while other small images, equally grotesque, were ranged
about.
“Say! This is a regular museum, all right,” thought Patsy. “Hello!
Here’s a feather duster in this corner. That means that Swagara is
supposed to keep things clean. Well, that’s me!”
He was passing the duster over the great Buddha when he heard a sound
behind him. It was Ched Ramar. He nodded approvingly as he saw how Patsy
was occupied.
“It is well!” he boomed. “But when you hear the bell over there, you
will know guests have arrived, and you will keep behind there.”
He pointed to a space at the back of the big image, where Patsy saw
there was a small door, which now stood partly open. Then, with a
careless wave of the hand toward a large gong which Patsy decided was
rather of Chinese, than Indian, design, Ched Ramar disappeared behind
the velvet curtains which concealed the door of the elevator.
“Now is the time,” thought Patsy. “I’ll do what he says about going
behind this big brass dub of an idol. But, first of all, I’ve got a
little private business of my own to pull off. I didn’t see anybody in
the kitchen when I came through. I hope it will be the same now. If it
isn’t---- Well, the chief said I wasn’t to mind getting into a scrap
when it was forced on me. I’d just like to land on that black guy who
let me in.”
It was in this disrespectful way that Patsy Garvan referred to Keshub.
But Keshub was not in the kitchen. He, with his fellow guard, was in the
large double drawing-rooms into which Matthew Bentham, Clarice, and the
others had been ushered the night before.
Patsy got down to the kitchen without meeting anybody. He slipped
noiselessly down the stairs and found himself at the back door, entirely
unopposed.
As he opened the door a little way, the voice of Nick Carter sounded in
a whisper from the darkness:
“All right?”
“Fine as silk,” was Patsy’s response. “Come in.”
Nick Carter, followed by Chick, stepped into the kitchen, and Patsy
closed and secured the door. Then he directed the others to stand still,
against the wall, where they would be in deep shadow, while he
reconnoitered. Almost directly, after creeping up the back stairs and
making sure the hall was empty, he was back.
Two minutes later they were all in the idol room. Patsy hastily related
what his orders were--to hide behind the idol.
Public-domain text, read in full here on John Shaqi.
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