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NICOLO PAGANINI:
HIS LIFE AND WORK.
PRINTED BY E. SHORE AND CO.,
3, GREEN TERRACE, ROSEBERY AVENUE, LONDON, E.C.
[Illustration: _Plate I.--See Appendix._
PORTRAIT OF NICOLO PAGANINI BY MAURIN.]
_"THE STRAD" LIBRARY, No. XVII._
NICOLO PAGANINI:
HIS LIFE AND WORK,
BY
STEPHEN S. STRATTON.
"_Natura il fece, e poi ruppe la stampa._"
ARIOSTO.
_WITH TWENTY-SEVEN ILLUSTRATIONS._
London:
"THE STRAD" OFFICE, 3, GREEN TERRACE, ROSEBERY AVENUE, E.C.
J. LENG & CO., 186, FLEET STREET, E.C.
New York:
CHARLES SCRIBNER'S SONS, 153-157, FIFTH AVENUE.
1907.
PREFACE.
The author of this work did not live to see the final sheets in print.
Although it has not received his revision, yet the book has had careful
editing. Mr. Stratton did not undertake the Life of Paganini without
adequate preparation. He had during many years thoughtfully studied the
artist and his attributes, and became an acknowledged authority on the
subject. He gathered from all available sources the most reliable
information. Almost his last journey was a pilgrimage to Paganini's
birthplace. This volume will exhibit his versatility, particularly the
chapter giving the analyses of Paganini's compositions. It is therefore
the most complete account of the greatest virtuoso recorded in the
annals of music. Those who peruse this most interesting biography of
Paganini, will naturally desire to learn something of the writer.
Stephen Samuel Stratton was born in London on December 19th, 1840. He
began his career as a chorister of St. Mary's Church, Ealing. He studied
harmony and composition under Charles Lucas. As an organist, he held
these appointments--St. Mary the Virgin, Soho; and St. James's Church,
Friern Barnet. On his removal to Birmingham in 1866, he was organist at
St. Barnabas Church; Edgbaston Old Parish Church; St. John's, Harborne;
and the Church of the Saviour (1878-1882). In 1879 he commenced a series
of chamber concerts in Birmingham.
From 1877 until the day of his death, Mr. Stratton was the musical
critic of the "Birmingham Daily Post." In that position his influence
was decidedly beneficial. He was also a contributor to the London
Musical Press. He will be remembered as the joint author (with Mr. James
D. Brown) of "British Musical Biography." His "Life of Mendelssohn" was
written for Messrs. Dent's "Master Musicians." Among other items may be
mentioned "Musical Curiosities," and valuable papers read before the
"Incorporated Society of Musicians."
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