In 1808 occurred the first of these excursions. Paganini went to
Leghorn, the scene of his early triumphs. He had not been there for
seven years, but his first concert, this visit, was attended with some
unpleasant mishaps. He had run a nail into his heel, and came limping on
the stage, whereupon the audience set up a titter--an incident quite
enough to upset a sensitive artist. Then, just as he was commencing his
concerto, the candles fell from his music-stand, and the laughter was
unrestrained; after a few bars of his solo, the first string of his
violin snapped, and the merriment became uproarious; but he finished the
performance upon the three strings, and the artist soon converted the
audience to a demonstration of a more grateful character. Thus his "one
string" experience served him in good stead.
At Ferrara something worse befell. For his concert there, Paganini had
engaged a vocalist, Signora Marietta Marcolini; but at the last moment,
the lady, either from indisposition or caprice, refused to sing.
Paganini went to his hostel boiling with rage, but was somewhat
mollified on being told there was a lady occupying an apartment in the
same house, who might perhaps take the place of the recalcitrant
singer. This was Signora Pallerini, the principal dancer at the theatre,
who had a very agreeable voice, but who made no pretension to being a
singer, although she was not without training and talent. Paganini lost
no time in seeking the young dancer, and by dint of perseverance
obtained her consent to his wish.
Public-domain text, read in full here on John Shaqi.
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