unrestrained jubilee, as if a thousand bards had struck their harps and raised their voices in a song of victory." Thus, a poet on a poet in tones. In 1829 Paganini was in Warsaw, and Chopin was among those who heard him. As he was leaving, in July, he was stopped some distance from the city by a numerous company who had met together in a garden. They drank the health of the artist, and Joseph Xaver Elsner, Director of the Conservatoire, handed him a costly snuff box, bearing this inscription: "Al Cavaliere Nicolo Paganini, gli ammiratori del suo talento, Varsovia 19 Luglio 1829." Paganini pressed it to his lips, speechless with surprise, and affected almost to tears. At Munich he gave three concerts in November of the same year; and at the close of the last _soirée_ the artist was crowned by Stunz, the Kapellmeister, while thousands of laudatory poems were showered from different parts of the hall. At Stuttgart, the King of Würtemberg presented him with 100 _louis d'or_, and it is said that before leaving Germany Paganini sent over £6,000 to the Bank of England for safe custody, a proceeding which showed his good sense, and perhaps revealed a mistrust of his continental friends. Paganini's tours, extending over three years, embraced Bohemia, Poland, Saxony, Bavaria, Prussia, and the Rhine provinces. Many more details might be given, but they are really needless: it was always the same story of the artist's success, excepting, indeed, at Augsburg, where the criticisms were adverse, as at Prague. An anecdote may fitly close the narration of Paganini's long stay in Germany, as it reveals an interesting trait in the character of the peasantry. Paganini, in the autumn of 1829, was summoned to appear before the Queen Dowager of Bavaria, at the Castle of Tegernsee, a magnificent residence of the Kings of Bavaria, situated on the banks of a lake of the same name. At the moment the concert was about to begin, a great bustle was heard outside. The Queen, having enquired the cause, was informed that about sixty of the neighbouring peasantry, having been told of the arrival of the famous Italian violinist, were come with the hope of hearing some of his notes, and requested that the windows should be opened, in order that they also might enjoy his talent. The Queen went beyond their wishes, and with truly Royal good-nature, gave orders that they should all be admitted into the saloon, where she had the pleasure of remarking their discernment, and the judicious manner in which they applauded the most striking parts of the distinguished artist's performance. Frankfort seems to have been a favourite stopping place with Paganini, and from there, at last, he quitted the fatherland, and arrived at Strasburg, where he gave two concerts, and thence proceeded direct to Paris.