In the early summer of 1837, Paganini's health having improved, he gave
several concerts in Turin, both for the benefit of the poor, and on his
own behalf. Later in the year, however, he was in Paris, living in the
greatest seclusion. The CASINO PAGANINI was opened, apparently in
October, 1837. The building was situated in the Rue Mont Blanc, and was
supposed to be a kind of Club of Art and Literature. An orchestra of
some fifty performers was engaged for concerts, which were open to
subscribers only. In the grounds a brass band played to those
assembled, and admission there apparently was free to the public. The
object of the undertaking was not made known. A French paper stated by
way of a joke that Paganini's part in the proceedings was to walk round
the garden when the weather was fine. The Government refused to license
the place as a gambling-house, and the management had to rely upon the
concerts alone. It would appear that Paganini had signed a contract to
play at the concerts, but the wretched state of his health was the
excuse for his not doing so. He had been in Paris off and on from 1837
to some time in 1839. In 1838, certainly before April, he was there, and
went to hear a newly invented instrument termed the Harmoniphone. This
was the work of an ingenious musician, Jacques Reine Paris. It was a
small key-board instrument designed to imitate the oboe, and intended as
a substitute for it, in places where oboe players were not available. A
distinguished company was invited to meet Paganini, who was greatly
interested and pleased with the invention. Then, in December, Paganini
witnessed what Berlioz described as the massacre of his "Benvenuto
Cellini" at the opera. In the same month was inaugurated a society for
the production of classical compositions, and for the encouragement of
musical artists, and at this brilliant function, held in the Salle
Erard, Paganini was present, with Meyerbeer, Auber, De Beriot,
Donizetti, and a host of other celebrities. On the 16th of the month
Paganini attended the concert given by Berlioz at the Conservatoire,
when the symphony, "Harold," was performed. Paganini heard it for the
first time, and at the close of the concert occurred the affecting
incident of Paganini kneeling on the stage and kissing the hand of
Berlioz, the demonstration being followed by a magnificent donation of
20,000 francs. Paganini seems to have had a transient recovery, for the
papers spoke of his becoming corpulent.
Public-domain text, read in full here on John Shaqi.
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