could have been thrown into prison for the publication of a _liber famosus_. He is said to have written two plays, whilst there. This is scarcely to be understood, when one has seen those frightful dungeons at Rome, into which no ray of light ever finds its way, and which the ancients themselves declared to be the Gates of Death. The facts may have happened in the following manner. Nævius was a Campanian, and the Campanians lost in the war of Hannibal all the benefits of their rights as citizens. Nævius, who was now friendless and helpless, must as a Campanian have been _noxæ deditus_ to the Metelli, and have been confined, not in the public prison, but in the house of the Metelli, in a dungeon such as the Romans frequently had in their own houses for the confinement of debtors. Just as incorrect is the statement in the Chronicon of St. Jerome, that Nævius had died in the year of Cato’s era, 547 (according to Varro 549), at Utica; for as Utica was attached during the war of Hannibal to the party of Carthage, he would even as a _transfuga_ have been very badly received there. According to Cicero, Varro placed the death of Nævius at a later period than others did. There existed therefore at that time already some uncertainty about it. After the second Punic war, there arose several authors who wrote in the Greek language. After the Macedonian period, the Greeks began in their histories to direct their attention to the remoter nations also. This encouraged able men among such nations, who understood Greek, to write the history of their people, in order to be read by the Greeks. In Southern Italy, the Greek language had been long introduced. To maintain that the Lucanian Ocellus had really written the works attributed to him might scarcely be advisable; but some reason must nevertheless have existed for placing the authorship of them to his account, and Aristoxenus, to whom all the statements which are extant concerning this point are to be referred, was aware that these people wrote in Greek. In Campania, Apulia, and elsewhere, the native towns had Greek inscriptions and coins. The Alexandrine grammarians read Oscan histories of Italy; but these books were by no means written in the Oscan, but in the Greek language. With regard to the Roman history, there are particularly to be mentioned Q. Fabius Pictor,[8] and Cincius Alimentus, both of them very high-born Romans. The former, being of patrician family, had been sent as ambassador to Delphi. He was great-grandson of that C. Fabius Pictor, who painted the temple of Salus, a work of art which was preserved until the times of the emperor Claudius, and was most probably a battle piece representing the victory of Consul Junius over the Æqui. To him already we must give credit for having been familiar with the Greek language and manners, as the practice of painting, according to genuine Roman views, would not have been seemly for a patrician. His son was ambassador