It was soon afterwards, towards the beginning of the war with Perseus, that Q. Ennius composed his Annals. The denomination of annals is a strange one, quite ill suited to a poem. Ennius was by far too poetical to write down history year by year. His poem was the first real imitation of the Greek model: the earlier ones of Nævius were still in the old lyric style. We are able to gain a general view of the work in the fragments; if the older quotations were only somewhat more trustworthy in the numbers, the whole of its argument might be restored. So much is certain, that the oldest times of the Trojan arrival and of the kings were contained in the three first books; and the quotation may also be pretty sure, that the war of Pyrrhus had been the subject of the fifth book.[11] He occupied himself little with the domestic struggles; and would probably speak of the wars only, according to the notions of epic poetry which were then entertained. The 225 years between were therefore contained in one book; the wars against the Samnites perhaps only in a slight sketch. The first Punic war, as Cicero tells us, he altogether left out, because Nævius had sung it; that of Hannibal he treated with the utmost prolixity, so that it must have begun already in the seventh book, and have been still continuing in the twelfth. In the thirteenth book, the subject was the war with Antiochus; in the fifteenth, the Istrian; so that the last six books only extended over twenty-four years. There were in all eighteen books. Of Scipio, and of M. Fulvius Nobilior, he sung the praises with peculiar richness of detail. The latter he accompanies into the Ætolian war. He was born in 513, according to Cato’s chronology, and died 583, continuing his poem almost to the time of his death. The sources of Ennius for the earliest times were the _Annales Maximi_; for the times of the kings, the old lays, and the _Commentarii Pontificum_; in the middle times, Timæus, Hieronymus, Fabius; in the last years, he was a cotemporary. He is to be blamed for his vanity, since he placed himself on a level with Homer; and for his bad hexameters. One cannot but be annoyed at his speaking in a disparaging tone of the old poems. On the other hand, however, there are fragments extant of his, which bespeak a true poetical spirit. He had some similarity to Klopstock, who like him despised the ancient forms, without knowing the Greek ones sufficiently to distinguish himself in them. It may be presumed that it was he from whom Livy took his noble description of the time of the kings. As to the assertion, that the division of his books had originated with Q. Vargunteius, a positive denial may be given to it. Suetonius only states, that Vargunteius had critically reviewed the books of Ennius, as Lampadio did Nævius.