When Nævius was an old man, Plautus, who was undoubtedly one of the greatest poetical geniuses of ancient times, was growing up by his side. This poet takes Greek plays and treats them with a finished irony, not making a mere version from the original, but displaying in his characters the peculiarities of Roman life, which is that of the lower orders, freedmen, strangers, and naturalized citizens. The scene is at Athens, or Epidamnus, or elsewhere; but he has also Greek characters (for instance, the parasite is thoroughly Greek), and then one is again reminded that one is in the midst of Romans. The cleverness with which he managed this, and with which, on the slippery path where he might so easily have stumbled, he always hits the right point, is quite miraculous. We see how wonderfully rich and refined his language was, a proof that even before his time it had been very much cultivated, otherwise it would not have been changed so quickly. For we have a _senatus consultum_ of the fifth century,[40] and the epitaph of Scipio Barbatus, with which we may compare his style, and we find a remarkable difference. Livius was a foreign client; Nævius a moneyed man, a maniceps; being too bold for a foreigner, he was prosecuted because he had given offence to one of the Metelli.[41] Of Plautus, we do not even know whether he was a Roman citizen: he must have been poor; but the story of his having worked at a mill does not rest upon any trustworthy authority. The first who really was a Roman citizen, being somewhat younger than Nævius, but standing in quite a different position from his, was Ennius, a _gentleman_,[42] and certainly a member of the tribes: he lived with Scipio, Fulvius Nobilior, and the first men, and was treated with the highest distinction. It is he who gained for poetry and literature the respect and esteem of the Romans. Among his fragments, there are some very fair pieces; his poetry, however, was not directed to higher objects: in comedy he seems to have been weak, nor does he appear to have held it in particular regard; in epic poetry, on the other hand, he has decided merit. Some of his things were written in a purely Roman form,--this was probably the case with the _Sabinæ_,[43] and also with the _Saturæ_,--yet he followed out quite a different idea. Plautus’ metres are by no means thoroughly Greek, though they very often coincide with the latter: the scansion by long and short syllables is Greek, but the Romans were not so strict in their measures, not having the quick ear of the Greeks. A trochaic or iambic movement was of native use among the Romans, and was not measured in the same way as among the Greeks: so it is with anapæsts among the modern Greeks, and with all the metres among some of the Slavonic nations. The _senarius_ may be Greek, and as little peculiar to the Romans as to us (Germans). Even as Plautus introduced the latter, so did Ennius the hexameter, which was quite foreign; and this