brought about just such revolution in metres as with us. His hexameters were still clumsy and full of faults, and without any _cæsura_, or with a false one, though not so bad as in Klopstock. Much as I like the old _numeri_, the verses of Ennius have something in them which is unpleasing to me. Besides the metres which are properly lyric, he has tried all the _rhythmi_; and indeed he has done it with much greater trueness than the older dramatists. The _senarius_ has already more of measured syllables, which gave it a firmer hold; but there is between the verses of Ennius and those of Virgil, as wide a gulf as between the first attempts of Klopstock and that height of perfection in metrical art, to which Count Platen has reached. A peculiarity of the old versification which as yet is far from being clearly made out, was the slurring of the short syllables (_ecthlipsis_): _ego_ was pronounced as one syllable, like the Italian _io_; _accipito_, as a dactyl. Ennius was not an original genius; yet he surely does not deserve the contempt with which Horace speaks of him. He had had a Greek education in Calabria; Greek was his second mother tongue, while the Roman was for him only an acquired language: he therefore wished to help the Romans to a translated Greek literature. If we compare it with what the Greek literature then was, that of the Romans was very brilliant. The Alexandrine period was now already past. Callimachus was dead, when Livius Andronicus began; Antagoras[44] and Aratus were dead; Eratosthenes was a mere versifier. On the other hand, the Romans had a great deal of freshness, and there would have been still more, had not Ennius caused the foreign influence to get so much the upperhand. Somewhat younger than Ennius was Pacuvius, his sister’s son, justly called the Deep. He scorned the pieces of Euripides, which Ennius had chosen, and only took those of Æschylus and Sophocles, thus putting himself altogether in opposition to the taste of the Greeks of that age. Q. Fabius Pictor and L. Cincius Alimentus then wrote the history of their own nation in Greek. Dionysius, who finds fault with Fabius as an historian, has never made any objection against his language; on the contrary, the fact that Dionysius wrote his own history only down to the beginning of the first Punic war, when Fabius was getting to be more diffuse, proves that the latter was very readable. Of the same standing was Acilius. The great Scipio wrote in the form of a letter to Philip the history of his own wars,[45] and so did his son-in-law Scipio Nasica that of the war with Perseus. Greek grammarians, statuaries, and painters were brought in already by Æmilius Paullus for the education of his children. WAR WITH THE LIGURIANS; WITH THE CELTIBERIANS. THE THIRD MACEDONIAN WAR. PEACE WITH THE RHODIANS. FURTHER WARS IN SPAIN. STATE OF AFFAIRS AT HOME.