Nietzsche and ArtLudovici, Anthony M. (Anthony Mario)
Philosophy
Nietzsche and Art
Ludovici, Anthony M. (Anthony Mario)
Aesthetics, German -- 19th century; Nietzsche, Friedrich Wilhelm, 1844-1900 -- Aesthetics
[41] Coventry Patmore, _Principles in Art_, p. 209.
[42] _G. E._, p. 213.
[43] Even J. S. Mill saw the flaw in his own teaching in this respect,
and acknowledged it openly. See his _Liberty_, chapter "The Elements of
Well-Being," paragraph 13.
D. The Evolutionary Hypothesis.
Finally, in the latter half of the last century, these two tendencies
at last reached their zenith, and culminated in a discovery which,
by some, is considered as the proudest product of the English mind.
This discovery, which was at once a gospel and a solution of all
world riddles, and which infected the whole atmosphere of Europe from
Edinburgh to Athens, was the Evolutionary Hypothesis as expounded by
Darwin and Spencer.
A more utterly vulgar, mechanistic, and depressing conception of
life and man cannot be conceived than this evolutionary hypothesis
as it was presented to us by its two most famous exponents; and its
immediate popularity and rapid success, alone, should have made it seem
suspicious, even in the eyes of its most ardent adherents.
And yet it was acclaimed and embraced by almost everybody, save those,
only, whose interests it assailed.
How much more noble was the origin of the world as described even in
Genesis, Disraeli was one of the first to see and to declare;[44]
and yet, so strong was the faith in a doctrine which, by means of
its popular proof through so-called facts, could become the common
possession of every tinker, tailor and soldier, that people preferred
to think they had descended from monkeys, rather than doubt such an
overwhelming array of data, and regard themselves still as fallen
angels.
In its description of the prime motor of life as a struggle for
existence; in its insistence upon adaptation to environment and
mechanical adjustment to external influences;[45] in its deification of a
blind and utterly inadequate force which was called Natural Selection;
and above all in its unprincipled optimism, this new doctrine bore the
indelible stamp of shallowness and vulgarity.
According to it, man was not only a superior monkey, but he was also
a creature who sacrificed everything in order to live; he was not
only a slave of habit, but he was a yielding jelly, fashioned by his
surroundings; he was not only a coward, but a cabbage; and, with it
all, he was invoked to do nothing to assist the world process and his
own improvement; for, he was told by his unscrupulous teachers, that
"evil tended perpetually to disappear,"[46] and that "progress was
therefore not an accident, but a necessity."[47]
Thus not only was man debased, but we could now fold our arms
apathetically, and look on while he dashed headlong to his ruin.[48]
Public-domain text, read in full here on John Shaqi.
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