Nietzsche: His Life and WorksLudovici, Anthony M. (Anthony Mario)
Philosophy
Nietzsche: His Life and Works
Ludovici, Anthony M. (Anthony Mario)
Nietzsche, Friedrich Wilhelm, 1844-1900
True, God was dead; but that ought only to make man feel more
self-reliant, more creative, prouder. Undoubtedly God was dead: but
man could now hold himself responsible for himself. He could now seek
a goal in manhood, on earth, and one that was at least within the
compass of his powers. Long enough had he squinted heavenwards, with
the result, that he had neglected his task on earth.[6]
"Dead are all Gods!" Nietzsche cries, "now we will that Superman live!"[7]
We are now before Nietzsche the evolutionist, and we must define him,
relatively to those other evolutionists with whom we, as English
people, are already familiar.
To begin with, then, let us dispose of the fundamental question:
Nietzsche's concept of life. We have had life variously defined for
us by our own writers, and perhaps one among Nietzsche's greatest
contemporaries in England--Herbert Spencer--defined it in the
most characteristically English fashion. Spencer said: "Life is
activity," or "the continuous adjustment of internal relations to
external relations." Now there is absolutely nothing in either of
these definitions, no suggestion or hint, which would lead the most
suspicious to conjecture what life really is. (Activity) reveals
nothing of life's passions, its hate, its envy, its covetousness, its
hard, inexorable principles; the process of the continual adjustments
of internal relations to external relations might mean the serpent's
digestion of its prey, or the training of an opera singer's voice, and
it might also be a scientific formula for a "moral order of things."
Both definitions are delightfully unheroic and vague; though they do
not compromise the writer they compromise with everything else, and to
start out with them is to shelve the question in a way which allows of
our subsequently weaving all the romance and sweetness possible into
life, and of making it as pretty as a little nursery story.
Nietzsche, always eager for a practical and tangible idea, naturally
could not accept these two definitions as expressing anything profound
about life at all. Looking into the race of nature, and reading her
history from the amoeba with its predatory pseudo-podia, to the lion
with its murderous prehensile claws, he defined life practically,
uprightly, and bravely, as "appropriation, injury, conquest of the
strange and weak, suppression, severity, obtrusion of its own forms,
incorporation, and, at least, putting it mildest, exploitation."[8]
Thus, as we see, from the start Nietzsche closes his eyes at nothing,
he does not want life to be a pretty tale if it is not one. He wants
to know it as it is: for he is convinced that this is the only way of
arriving at sound principles as to the manner in which human existence
should be led.
Public-domain text, read in full here on John Shaqi.
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