Nigeria : $b Its peoples and its problems — John Shaqi
Nigeria : $b Its peoples and its problemsMorel, E. D. (Edmund Dene)
History
Nigeria : $b Its peoples and its problems
Morel, E. D. (Edmund Dene)
Ethnology -- Nigeria; Nigeria -- Description and travel
A deep “Ah” comes from the throats of the assembled thousands as the
blare of trumpets resounds faintly in the distance, and a cloud of
dust rises from the road. From out of it there emerge a dozen horsemen
charging down the square at break-neck speed, their right arms raised,
their multi-coloured robes flying out behind them. With a shout they rein
up their steeds in front of the Emir’s residence, then wheel swiftly, and
are off again whence they came—the _avant-garde_ of the procession. The
sound of drums and trumpets gets louder. The head of the procession comes
in sight, or, to be more accurate, the dust solidifies itself into a
compact mass, flashing and glittering with a thousand shades. First, many
hundreds walking on foot, who, as they enter the square, deploy right
and left and mingle with the waiting crowd. Behind them more horsemen
detach themselves and gallop towards us, backwards and forwards. Each
man is dressed according to his own particular fancy. Some in red, some
in blue, some in white, some in green, others in vivid yellows, but most
of them, it would seem, wearing half a dozen different colours at the
same time, both as to robes and turbans. Their leather boots, thrust
into shovel-headed stirrups, are embroidered with red and green; their
saddle-cloths and bridles are also richly embroidered and tasselled.
The majority, we observe, wear long cross-handled swords in leather
scabbards. Some carry thin spears in their hands; one fierce-looking
warrior a battle-axe. He seems to have stepped out of the Middle Ages
does this particular chief, his horse wearing a metalled protection
as in the old days of the Crusaders. But the heart of the procession,
moving up slowly, puts an end to these evolutions, and the horsemen range
themselves up on either side of the Emir’s residence, their gallant
beasts, curvetting and prancing as the “Ah” of the crowd changes into a
great roar of sound. As a trial of patience I commend the effort to take
a photograph over the ears of a horse who is making strenuous efforts to
stand up on its hind legs, while a fine and smarting white dust rises in
clouds, entering eyes and mouth, and all round you are people in a fine
frenzy of excitement, mingled with apprehension, lest your mount takes
it into his head to ride amuck in the midst of them, which he has every
appearance of wishing to do.
Public-domain text, read in full here on John Shaqi.
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