Night and Morning, Volume 5Lytton, Edward Bulwer Lytton, Baron
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Night and Morning, Volume 5
Lytton, Edward Bulwer Lytton, Baron
English fiction
"Happy, Fanny, if they love, and their love continue. Oh! conceive the
happiness to know some one person dearer to you than your own self--some
one breast into which you can pour every thought, every grief, every joy!
One person, who, if all the rest of the world were to calumniate or
forsake you, would never wrong you by a harsh thought or an unjust word,
--who would cling to you the closer in sickness, in poverty, in care,--
who would sacrifice all things to you, and for whom you would sacrifice
all--from whom, except by death, night or day, you must be never divided
--whose smile is ever at your hearth--who has no tears while you are well
and happy, and your love the same. Fanny, such is marriage, if they who
marry have hearts and souls to feel that there is no bond on earth so
tender and so sublime. There is an opposite picture;--I will not draw
that! And as it is, Fanny, you cannot understand me!"
He turned away:--and Fanny's tears were falling like rain upon the grass
below;--he did not see them! He entered the churchyard; for the bell now
ceased. The ceremony was to begin. He followed the bridal party into
the church, and Fanny, lowering her veil, crept after him, awed and
trembling.
They stood, unobserved, at a little distance, and heard the service.
The betrothed were of the middle class of life, young, both comely; and
their behaviour was such as suited the reverence and sanctity of the
rite. Vaudemont stood looking on intently, with his arms folded on his
breast. Fanny leant behind him, and apart from all, against one of the
pews. And still in her hand, while the priest was solemnising Marriage,
she held the flowers intended for the Grave. Even to that MORNING--
hushed, calm, earliest, with her mysterious and unconjectured heart--her
shape brought a thought of NIGHT!
When the ceremony was over--when the bride fell on her mother's breast
and wept; and then, when turning thence, her eyes met the bridegroom's,
and the tears were all smiled away--when, in that one rapid interchange
of looks, spoke all that holy love can speak to love, and with timid
frankness she placed her hand in his to whom she had just vowed her
life,--a thrill went through the hearts of those present. Vaudemont
sighed heavily. He heard his sigh echoed; but by one that had in its
sound no breath of pain; he turned; Fanny had raised her veil; her eyes
met his, moistened, but bright, soft, and her cheeks were rosy-red.
Vaudemont recoiled before that gaze, and turned from the church. The
persons interested retired to the vestry to sign their names in the
registry; the crowd dispersed, and Vaudemont and Fanny stood alone in the
burial-ground.
"Look, Fanny," said the former, pointing to a tomb that stood far from
his mother's (for those ashes were too hallowed for such a
neighbourhood). "Look yonder; it is a new tomb. Fanny, let us approach
it. Can you read what is there inscribed?"
The inscription was simply this:
Public-domain text, read in full here on John Shaqi.
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