Night Bombing with the BedouinsReece, Robert Henry
History
Night Bombing with the Bedouins
Reece, Robert Henry
World War, 1914-1918 -- Aerial operations; World War, 1914-1918 -- Personal narratives
If you had visited the Bedouin Squadron at about eleven o'clock in the
morning you would have received quite a shock when entering the
officers' mess. In the first place, you would have found the mess
deserted except for several dogs of unknown species and innumerable
cats,--some proudly nourishing recent offspring, others in various
stages of anticipation of a similar pleasure. Secondly, you would have
been surprised at the comfortable, if not artistic, interior of our
exteriorly unattractive hut. In the centre of the "ward-room" or
sitting-room was an open fireplace of ingenious design. On a stone and
earth base, covered with sheet iron, rested a large cast-iron box with
many peculiarly shaped apertures resembling as far as possible the
incomprehensible design of a lady's lace mouchoir. The fire-box was
supported by four cast-iron "whirly-gigs," the artistic effort of a
mechanic detailed to construct legs for the support of the aforesaid
fire-box. Above this box a large hollow pyramid, the apex of which
connected with a pipe, which in turn after divers wanderings led through
a hole in the roof, offered an exit for the smoke. Needless to say, this
offer was frequently ignored. Around this fireplace was a foot-railing
constructed from the main spar of a crashed Handley-Page. The rest of
the furniture fortunately was not homemade. Large easy-chairs and
lounges, the gift of a friendly merchant of Nancy, often made progress
from one end of the room to the other,--a feat requiring considerable
skill in navigation. A piano was wedged into one corner of the room;
"Sin-fin," a mad Irishman, appeared with this piano one day together
with an exhilarated French officer driving a lorry. No one ever found
out how the piano had been secured, but since a sweet little
"demoiselle" now rides "Sin-fin's" Irish hunters, we may believe, if we
wish, that a rickety piano formed the basis of an international romance.
[Illustration: ENTRANCE TO OFFICERS' MESS]
The walls of the room were draped with rich damask; as the officers'
steward who produced this incongruous luxury was an ex-convict, no
inquiries were made concerning it.
In the same hut with the ward-room and adjoining it was the mess or
dining-room and beyond this was the "galley" or kitchen. While the
Bedouins were inflicted with a cook who had been in pre-war days an
expert electrician, the kitchen would not have been your most attractive
route to the officers' sleeping-quarters.
Presuming that you left the mess through its more congenial exit, the
ward-room, the next hut you would have come to was the officers'
quarters. There at eleven o'clock in the morning you would have heard a
full symphony rendered by twenty lusty sleepers. "Is this war?" you
might have asked yourself if you did not have in mind that you were
visiting a night-bombing squadron. The officers in this hut had returned
but five or six hours previously from an all-night raid over Germany.
Public-domain text, read in full here on John Shaqi.
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