Night Must Fall : a Play in Three Acts — John Shaqi
Night Must Fall : a Play in Three ActsWilliams, Emlyn
General
Night Must Fall : a Play in Three Acts
Williams, Emlyn
English drama -- 20th century; Murder -- Drama
OLIVIA: And what do they think?
MRS. TERENCE (_over her shoulder_): They think it's me. I know
they think it's me.
_She goes into the hall and opens the front door._
HUBERT (_outside_): Good afternoon, Mrs. Terence.
MRS. TERENCE: Oh ... come in, sir. (_Coming back into the room_)
It's a civilian for a change.
_She is followed by_ HUBERT.
HUBERT (_to_ OLIVIA): I say, this is all getting pretty terrible,
isn't it?
OLIVIA: Yes, terrible.
MRS. TERENCE: Oh, terrible, terrible. There's one word for it; it's
terrible. Forty-eight hours since they found 'er. They'll never get 'im
now.
HUBERT: Terrible....
MRS. TERENCE: There was another charabanc load just after two o'clock.
All standin' round the rubbish-'cap eatin' sandwiches. Sensation,
that's what it is.
OLIVIA: Would you like some food, Hubert?
HUBERT: Well, I--
MRS. TERENCE: They're still looking for the 'ead.
HUBERT (_to_ OLIVIA, _with a slight grimace_): No, thanks. I
had lunch.
MRS. TERENCE: Mangled, she was, mangled.... Did you see your name in
the _Express_, sir?
HUBERT: I--er--did catch a glimpse of it, yes.
MRS. TERENCE: Little did you think, sir, when you was digging that pit
for my rubbish, eh? 'E may 'ave been _watchin'_ you digging it ...
ooh! I have to sit in my kitchen and think about it.
HUBERT: Then why don't you leave?
MRS. TERENCE (_indignantly_): How can I leave, with the whole
village waitin' on me to tell 'em the latest? (_Going towards the
kitchen_) I 'eard 'er 'ead must have been off at one stroke. One
stroke....
HUBERT: Really.
MRS. TERENCE (_turning at the door_): She wasn't interfered with,
though.
_She goes into the kitchen._
HUBERT: How they all love it.... How's the old lady bearing up in the
old invalid chair, eh?
OLIVIA: She's bursting out of it with health. And loving it more than
anybody. This is my latest job--a press-cutting book. There was a
picture of her in the _Chronicle_ yesterday; she bought twenty-six
copies.
HUBERT (_taking his pipe out_): She'll get to believe she did it
herself in the end.... Is she in?
OLIVIA: She's gone over to Breakerly to interview a local paper.
HUBERT: The lad pushing the go-cart?... He's the devoted son all
right, isn't he?
OLIVIA (_after a pause_): I don't talk to him much.
HUBERT: Nice fellow. I've thought a lot about that prying into his
things--pretty bad show, really, you know. (_Going to the left
window_) I wonder if they'll ever nab him?
OLIVIA (_with a start_): What do you mean?
HUBERT: The fellow who did it.... Wonder what he's doing now.
OLIVIA: I wonder.
HUBERT: Damn clever job, you know, quietly.... That was a rum touch,
finding that broken lipstick in the rubbish-heap.... You know, the fact
they still have no idea where this woman's head is----
OLIVIA (_convulsively_): Don't....
HUBERT: Sorry.
OLIVIA (_after a pause_): It's a bit of a strain.
HUBERT (_earnestly_): Then why don't you leave?
OLIVIA: I--I couldn't afford it.
Public-domain text, read in full here on John Shaqi.
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