Night Must Fall : a Play in Three Acts — John Shaqi
Night Must Fall : a Play in Three ActsWilliams, Emlyn
General
Night Must Fall : a Play in Three Acts
Williams, Emlyn
English drama -- 20th century; Murder -- Drama
HUBERT: Don't want to sound rude, et cetera, but women don't get men
proposing to them every day, you know ... (_Turning over a page_)
Gosh, what a wizard machine--
OLIVIA (_sitting at the left of the table_): I can't think
_why_ you want to marry me, as a matter of fact. It isn't the same
as if I were very pretty, or something.
HUBERT: You do say some jolly rum things, Olivia, upon my soul.
OLIVIA: I'll tell _you_ why, then, if it makes you feel any
better. You're cautious; and you want to marry me because I'm quiet.
I'd make you a steady wife, and run a home for you.
HUBERT: There's nothing to be ashamed of in being steady. I'm steady
myself.
OLIVIA: I know you are. HUBERT: Then why aren't you keen?
OLIVIA (_after a pause, tolerant but weary_): Because you're an
unmitigated bore.
HUBERT: A bore? (_Horrified_) _Me_, a bore? Upon my word,
Olivia, I think you're a bit eccentric, I do really. Sorry to be rude,
and all that, but that's put the kybosh on it! People could call me a
thing or two, but I've never been called a bore!
OLIVIA: Bores never are. People are too bored with them to call them
anything.
HUBERT: I suppose you'd be more likely to say "Yes" if I were an
unmitigated bounder?
OLIVIA (_with a laugh_): Oh, don't be silly....
HUBERT (_going to her_): You're a rum girl, Olivia, upon my soul
you are. P'raps that's why I think you're so jolly attractive. Like a
mouse one minute, and then this straight-from-the-shoulder business....
What _is_ a sonnet?
OLIVIA: It's a poem of fourteen lines.
HUBERT: Oh, yes, Shakespeare.... Never knew you did a spot of rhyming,
Olivia! Now that's what I mean about you.... We'll have to start
calling you Elizabeth Bronte!
_She turns away. He studies her_.
You _are_ bored, aren't you?
_He walks to the sun-room. She rouses herself and turns to him
impetuously_.
OLIVIA: I'm being silly, I know--of course I _ought_ to get
married, and _of course_ this is a wonderful chance, and--HUBERT
(_moving to her_): Good egg! Then you will? OLIVIA (_stalling_):
Give me a--another week or two--will you?
HUBERT: Oh. My holiday's up on the twenty-seventh.
OLIVIA: I know I'm being tiresome, but--
MRS. BRAMSON (_in the kitchen_): The most disgraceful thing I've
ever heard--
HUBERT: She's coming back....
OLIVIA _rises and goes to the right window_. HUBERT _hurries
into the sun-room._ MRS. BRAMSON _is wheeled back from the kitchen
by_ MRS. TERENCE, _to the centre of the room. She_ (MRS. BRAMSON)
_has found the pretext for the scene she has been longing to make since
she got up this morning._
MRS. BRAMSON: Fetch that girl here. This minute.
MRS. TERENCE: Oh, leave the child alone.
MRS. BRAMSON: Leave her alone, the little sneak-thief? Fetch her here.
MRS. TERENCE (_at the top of her voice_): Dora! (_Opening the
front door and calling into the trees_) Dora!
OLIVIA: What's Dora done now?
Public-domain text, read in full here on John Shaqi.
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