From far away, as from another world, he hears the murmur of a large body of people, the rolling of the drum, the throbbing of the double-bass, the wail of the fiddles, sometimes the thud of the wooden-shoe dancer, and sometimes a sudden silence as the music dims away to rubbish for the big stunt of the trapeze performer. He subsides into a chair. The dresser jams a pair of side-spring boots on his feet while he himself adjusts the wig and assaults his face with sticks of paint. The boy appears again. He shoots his bullet head through the door, aggressively. "Mr. Benson, _please_!" This time he is really cross. Clearly he will fight Mr. Benson before long. But Mr. Benson dashes from his chair and toddles downstairs, and is just in time to slip on as the band finishes his symphony for the fourth time. Once on, he breathes more freely, for neglect of the time-sheet is a terrible thing, and involves a fine. If your time is 8.20, it is your bounden duty to be in the wings ready to go on at 8.17; otherwise ... trouble and blistering adjectives. While he is on the boy is chasing round the dressing-rooms for the "next call." This happens to be a black-face comedian, who is more punctual than Mr. Benson. He is all in order, and at the call: "Mr. Benson's on, Harry!" he descends and stands in the wings, watching with cold but friendly gaze the antics of Mr. Benson, and trying to sense the temper of the house. Mr. Benson is at work. In another minute he will be at work, too. Mr. Benson is going well--he seems to have got the house. He wonders whether he will get the house--or the bird. He is about to give us something American: to sing and dance to syncopated melody. America may not have added great store to the world's music, but at least she has added to the gaiety of nations. She has given us ragtime, the voice of the negroid Bacchus, which has flogged our flagging flesh to new sensations; she has given us songs fragrant of Fifth Avenue, and with the wail of the American South; and she has given us nigger comedians. Harry doesn't much care whether he "goes" or not. They are a philosophical crowd, these Vaudevillians. If one of them gets the bird, he has the sympathy of the rest of the bill. Rotten luck. If he goes well, he has their smiles. Of course, there are certain jealousies here as in every game; but very few. You see, they never know.... The stars never know when their reign will end, and they, who were once bill-toppers, will be shoved in small type in obscure corners of the bill at far-distant provincial halls. That is why the halls, like journalism, is such a great game. You never know.... The unhappiest of the whole bill of a hall are "first call" and "last call"; nobody is there to listen to "first call"; everybody has bolted by the time "last call" is on. Only the orchestra and the electricians remain. They, like the poor, are always with them.